Bravo Music everthing for string player
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บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
¾º¢éÍÁÙÅ·Ñé§ËÁ´4765 ÃÒ¡ÒÃ

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µÑÇ¢ÂÒÂàÊÕ§ÊÓËÃѺàªÅâÅ DYN-C-P48
ÂÕèËéÍ: Schertler
ÃËÑÊ: EPC10

µÑÇ¢ÂÒÂàÊÕ§ÊÓËÃѺàªÅâÅ DYN-C-P48

Schertler’s new DYN-C-P48 is a fully balanced, active, dynamic contact microphone with Class A electronics. Specially designed to reproduce the natural sound of the ‘cello in a moderately loud environment, the microphone features state-of-the-art, in-house developed activefiltering technology that has enabled it to be precisely matched to the instrument’s sound characteristics. This leads to more “immediate” results for the user, making it possible to achieve amazing sound with only minimal adjustments required.

The DYN-C-P48 has a new sleek, lightweight design, making it even less obtrusive to the player. The microphone is supplied with Schertler’s own customized cable that is both robust and torsion resistant, designed to withstand the rigours of daily use while delivering best possible performance results. A balanced XLR connector enables direct connection to a microphone input on a mixing console, as well as to a full range amplification system.
The DYN-C-P48 can be easily and safely applied to even the most valuable of instruments using special adhesive putty. It can also be quickly transferred between instruments during performances or recording sessions. Note: This microphone requires 48V phantom power.

Schertler’s flagship DYN Series contact microphones were first launched over 20 years ago. Two decades later, developments in microphone technology have enabled the series to be re-engineered to meet today’s exacting requirements. The new DYN P48 Series retains the best features from the original DYN microphones while incorporating state-of-the-art technology that has resulted ineven better sound quality,a more elegant lightweight design and more user-friendly operation.

Technical Specifications:
Output impedance 4.7 Kohm @ 1 KHz
Frequency Response 20 Hz to 20 kHz
Dynamic range 139 dB, 145 dB typical
Sensitivity (on instrument) ca. -30 dB
Sensitivity (theoretical) -62 dB/@ 1um ampl.
Mechanical decoupling Butterworth 2nd order, Q=6
Temperature range -20? C to +70? C
Minimum operating voltage 22 VDC
Active EQ Customized for each instrument
Electronics all Class-A
Contacts All hard gold plated 0.5 mm
Connection XLR balanced + Binder
ÃÒ¤Ò : 25,000


Usually ship in 24-48 hours
µÑÇ¢ÂÒÂàÊÕ§àªÅâÅ Shadow ÃØè¹ SH 955 NFX
ÂÕèËéÍ: Shadow
ÃËÑÊ: EPC01

µÑÇ¢ÂÒÂàÊÕ§àªÅâÅ Shadow ÃØè¹ SH 955 NFX ¨Ò¡»ÃÐà·ÈàÂÍÃÁѹ
ÁÒ¾ÃéÍÁà·¤â¹âÅÂÕ Nano-flex Cello Pickup ¾ÃéÍÁ Preamp (Free setup & Installation)
ÃÒ¤Ò : 9,000
ÊèǹŴ : 1,000 (11%)
ÃÒ¤Ò¢ÒÂ :
8,000


Usually ship in 24-48 hours
µÑÇ¢ÂÒÂàÊÕ§ÊÓËÃѺàªÅâÅ Shadow ÃØè¹ SH SC1
ÂÕèËéÍ: Shadow
ÃËÑÊ: EPC05

µÑÇ¢ÂÒÂàÊÕ§ÊÓËÃѺàªÅâÅ Shadow ÃØè¹ SH SC1 ¨Ò¡»ÃÐà·ÈàÂÍÃÁѹ
is a twin disc cello transducer with 1/4“ socket. The sensors (20mm) mount easily on the soundboard of the cello.
Easy installation. Includes an attached 1/4” (6.3mm) output socket.
* Soundboard transducer for cello
* diameter of transducers: 20 mm
* length of cables: 24,5 cm
* output connection: 6,3 mm (standard)
ÃÒ¤Ò : 3,500
ÊèǹŴ : 500 (14%)
ÃÒ¤Ò¢ÒÂ :
3,000
ÍÐäËÅèµÑÇ¢ÂÒÂàÊÕ§ Shadow SH955 NFX 1¤Ùè
ÂÕèËéÍ: Shadow
ÃËÑÊ: EPC06

ÍÐäËÅèµÑÇ¢ÂÒÂàÊÕ§ Shadow SH955 NFX 1¤Ùè ¨Ò¡»ÃÐà·ÈàÂÍÃÁѹ
ÃÒ¤Ò : 1,000


Usually ship in 24-48 hours
´ÑºàºÔÅàºÊ Realist »Ô¤ÍѾ ÃØè¹ Copperhead
ÂÕèËéÍ: Realist
ÃËÑÊ: EPB05

´ÑºàºÔÅàºÊ»Ô¤ÍѾ Realist ÃØè¹ Copperhead ¨Ò¡»ÃÐà·ÈÊËÃÑ°ÍàÁÃÔ¡Ò
new Cable developed that has a small db pad and be used with the bass realist if to much power in an amplifier.The Realist? acoustic transducer was designed by Ned Steinberger in collaboration with David Gage. (Free setup & Installation)

Note:
Piezo pickups and transducers have a very high output impedance. In order to get the optimum sound output we recommend an amplifier with low impedance input.

ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éʹѺàºÔÅàºÊ¡Ñº·Ò§ÃéÒ¹ºÃÔ¡ÒõԴµÑ駿ÃÕ ¾ÃéÍÁÃѺ»ÃСѹËÅѧ¡ÒâÒÂ
ÃÒ¤Ò : 9,500
ÊèǹŴ : 2,000 (21%)
ÃÒ¤Ò¢ÒÂ :
7,500


Usually ship in 24-48 hours
µÑÇ¢ÂÒÂàÊÕ§´ÑºàºÔÅàºÊ Realist ÃØè¹ Sound Clip
ÂÕèËéÍ: Realist
ÃËÑÊ: EPB06

µÑÇ¢ÂÒÂàÊÕ§´ÑºàºÔÅàºÊ Realist ÃØè¹ Sound Clip ¨Ò¡»ÃÐà·ÈÊËÃÑ°ÍàÁÃÔ¡Ò
The Realist SoundClip is the newest innovation from Ned Steinberger and David Gage.
The Realist SoundClip clamps easily on to the bridge of any string bass, without marking or damaging. Clamping allows it to be added to or removed from any bass, at any time without hassle. Great for travelling bassists or for those who want a pick-up only when they are using an amp
The SoundClip sports features that are not found on any other pick-up. The on-board volume knob gives the player full control to adjust output on the spot. Innovative variable weight system helps you contour tone. The SoundClip is fully adaptable to all basses and playing situations.
ÃÒ¤Ò : 10,000
ÊèǹŴ : 500 (5%)
ÃÒ¤Ò¢ÒÂ :
9,500
»Ô¤ÍѾ´ÑºàºÔÅàºÊ Realist ÃØè¹ LifeLine adjuster mounted
ÂÕèËéÍ: Realist
ÃËÑÊ: EPB20

»Ô¤ÍѾ´ÑºàºÔÅàºÊ Realist ÃØè¹ LifeLine adjuster mounted

From the makers of the Realist Copperhead comes the Realist "LifeLine", our newest bass pickup.

The LifeLine comes from the most trusted name in acoustic amplification. Like its predecessors, it?s based on a concept of durable, self-powered, transparent piezo pickups that are easy to use. And like the popular Realist Copperhead, it?s made in the USA.

The Realist LifeLine offers a focused bass sound for those musicians who want a lot of punch without loss of fidelity. It performs well at high volumes, offering a clear sound without boom.

Mounted at the adjuster without glue or fasteners, the LifeLine will fit on most bridges without changing a thing, and it's just as easy to take off. Once installed, the simple design disappears, not drawing attention to itself, preserving the natural beauty of the instrument.
ÃÒ¤Ò : 9,500
»Ô¤ÍѾ´ÑºàºÔÅàºÊ Realist ÃØè¹ Woodtone
ÂÕèËéÍ: Realist
ÃËÑÊ: EPB21

»Ô¤ÍѾ´ÑºàºÔÅàºÊ Realist ÃØè¹ Woodtone
Realist WoodTone for Bass

·ÃҹʴÔÇà«ÍÃìÊÓËÃѺàºÊµÑÇá¼è¹·Ó¨Ò¡äÁé ãªéËÑÇá¨ê¤ 1/4 ".
ãËéàÊÕ§·Õèâ»Ãè§ãÊÁÒ¡áÁéÇèÒ¾×é¹¼ÔǨж١ºÕºÍÑ´àÅ硹éÍ äÁè¨Óà»ç¹µéͧ»ÃѺáµè§¡ÒõÑ駤èÒáÍÁ»ìãËÁèÃÐËÇèÒ§ÊÕ´éǤѹªÑ¡áÅСÒôմ

à¹×èͧ¨Ò¡ÇÑÊ´Ø·Ó¨Ò¡äÁé«Ö觨ÐäÁè·ÓãËéá¼è¹Ë¹éҢͧ´ÑºàºÔÅàºÊà»ç¹ÃÍ·Õè´éÒ¹º¹¢Í§ µÔ´µÑ駧èÒ ¿ÃÕ¤èÒµÔ´µÑé§ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éʹѺàºÔÅàºÊ¡Ñº·Ò§ÃéÒ¹¾ÃéÍÁÃѺ»ÃСѹ

ÃÒ¤Ò : 9,600
´ÑºàºÔÅàºÊ Realist Docking Station
ÂÕèËéÍ: Realist
ÃËÑÊ: EPB22

´ÑºàºÔÅàºÊ Realist Docking Station
Universal Volume Attenuator
Designed by David Gage and Ned Steinberger
Adjust volume on-the-fly, no matter which string bass pick-up is installed.
This no-fuss dock installs to the tailpiece without fasteners. Simply loosen the strings, mount, tighten. You’re in control.
Jack-Pot? volume control provides flexibility for those who want to bypass resistance altogether. ? la This Is Spinal Tap, this control lets you “go all the way up to eleven.”

The Docking Station solves jack mounting problems, too. The cable is dressed away neatly from the ?” input/output without additional hardware. The tension of the strings holds The Docking Station to the tailpiece, like the “loop” from the industry standard Realist “Copperhead” pick-ups. Works with all pick-ups, no batteries required, a passive system.
ÃÒ¤Ò : 3,500
´ÑºàºÔÅàºÊäÁâ¤Ã⿹»Ô¤ÍѾ Schertler ÃØè¹ DYN-B-SET
ÂÕèËéÍ: Schertler
ÃËÑÊ: EPB07

´ÑºàºÔÅàºÊäÁâ¤Ã⿹»Ô¤ÍѾ Schertler ÃØè¹ DYN-B-SET ¨Ò¡»ÃÐà·ÈÊÇÔµà«ÍÃìᏴì
DYN-B-SET ªØ´¢ÂÒÂàÊÕ§ÊÓËÃѺ´ÑºàºÔÅàºÊͤÙʵԡ·ÕèÊÁºÙóìẺ «Öè§à»ç¹¤ÇÒÁ½Ñ¹¢Í§¹Ñ¡´ÑºàºÔÅàºÊá¨êÊÁÒ¡·ÕèÊØ´ÁÒà»ç¹àÇÅÒÍѹÂÒǹҹ

´ÑºàºÔÅàºÊà»ç¹äÁâ¤Ã⿹»Ôê¡ÍѾ ÂÕèËéÍ SCHERTLER ÃØè¹ DYN-B-SET à»ç¹ÍØ»¡Ã³ì¤Ø³ÀÒ¾ÊÙ§â´Âãªéà·¤â¹âÅÂÕäÁ¤ìâ¤Ã⿹«Öè§äÁèÁÕàÊÕ§ú¡Ç¹àËÁ×͹෤â¹âÅÂÕè Piezo ÁÕÃкº»éͧ¡Ñ¹ Anti-Feedback ªèͧµèÍÊÑ­­Ò³áºº XLR àËÁÒÐÊÓËÃѺ¡ÒÃáÊ´§¤Í¹àÊÔÃìµâ´ÂäÁèµéͧãªé¢ÒµÑé§äÁ¤ì ·ÓãËé¡ÒÃáÊ´§º¹àÇ·Õ´Ùà»ç¹¸ÃÃÁªÒµÔ·ÓáÅÐÁÕÀÒ¾Åѡɳ캹àÇ·Õ´Ù´Õ¡ÇèÒãªéäÁ¤ìâ¤Ã⿹

Achieving the perfect amplification of an acoustic bass is a dream of many jazz bassists. In delivering the most natural sound possible, DYN-B takes players a step nearer to that goal.

Ideal for orchestral and pro audio/broadcast applications, DYN-B is also popular with sound engineers. Easily and safely fitted to the body of the double bass, using special adhesive putty, the sensor can be appropriately positioned to capture the best tonal qualities of the instrument. It can also be easily moved from one instrument to another.

DYN-B’s balanced, low impedance output reduces the risk of hum and radio frequency (RF) interference, even with long cable runs. An XLR connector allows direct connection to mixing desks or preamplifier inputs.

TECHNICAL SPECIFICATIONS
mechanical decoupling butterworth 2nd order, Q=0.6
nominal impedance 1500 ohm / 1000 Hz
frequency response 20 Hz to 18 kHz (+/-3dB)
equivalent output noise 139dB - 145dB typical
sensitivity 20mV/g
sensitivity (on instrument) ca. -28dBu
tmperature range -20?C to +70?C
contacts all hard gold 0.5um plated
connection XLR balanced
switch on connector phase reverse
cable length 0.24m (10 in)
ÃÒ¤Ò : 30,000


Usually ship in 24-48 hours
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