Bravo Music everthing for string player
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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
¾º¢éÍÁÙÅ·Ñé§ËÁ´4765 ÃÒ¡ÒÃ

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äÇâÍÅÔ¹ÍÔµÒÅÕ Stefano Trabucchi ·Ã§ Stradivari (Personalizzato) 2021
ÂÕèËéÍ: Stefano Trabucchi
ÃËÑÊ: VN5048

äÇâÍÅÔ¹ÍÔµÒÅÕ â´Â Master violin maker Stefano Trabucchi
Limited Edition of Trabucchi for PGVIM. ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò No.2 with special woods (Personalizzato)

Stefano Trabucchi was born on Febbruary 5th, 1970 in Sondrio Italy in a family of musicians. When I was 8 years old I started to play the violin and, since then I’ve been attracted and fascinated by this instrument and consequently by lutherie and its secrets.
That’s the reason why, at 14, I enrolled in the International School of Lutherie “A. Stradivari”, where I graduated in 1988 gaining full marks.

Immediately after the diploma, I integrated in Master Nolli’s workshop where I learned all the tricks of the trade.

As I finished my internship in 1992, I opened my own workshop at Via Bella Rocca14, in the centre of Cremona. Here, by practicing constantly, I’ve improved and perfected my skills, in particular as for the construction of the classical quartet (violin, viola, cello).

I’ve also made some Baroque instruments, such as a pochette (directly inspired by Stradivari’s models) and violas d’amore.

Stradivari’s tradition, its features and models are my main inspiration. In addition to traditional modern instruments, I’ve focused my production on making copies of ancient instruments.

My creations are appreciated worldwide, especially in the USA, Japan, Germany, and Italy of course.

My company is a sole trader and registered at the Craftsmen Register of Cremona Chamber of Commerce.

Since 2010, I’m the Luthiers’ group leader of Cremona Confartigianato (it’s the confederation of the Italian craftsmen), and vice president of this association.
ÃÒ¤Ò : 700,000
äÇâÍÅÔ¹ÍÔµÒÅÕ Stefano Trabucchi ·Ã§ Stradivari 2022
ÂÕèËéÍ: Stefano Trabucchi
ÃËÑÊ: VN5049

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Stefano Trabucchi ·Ã§ Stradivari 1715 (Cremonese) ÃØè¹ 300 »Õ Stradivari Nr.1 A.D. 2022
á¼è¹Ë¹éҷӨҡʹäÁéÍÔµÒàÅÕ¹
á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁé àÁà»ÔéÅá¼è¹à´ÕÂÇ
Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé Madagascar Ebony »ÃдѺ´éǼ§ Mammoth
¾ÃéÍÁãºÃѺÃͧ¨Ò¡ªèÒ§ Certificate

Stefano Trabucchi was born on Febbruary 5th, 1970 in Sondrio Italy in a family of musicians. When I was 8 years old I started to play the violin and, since then I’ve been attracted and fascinated by this instrument and consequently by lutherie and its secrets.
That’s the reason why, at 14, I enrolled in the International School of Lutherie “A. Stradivari”, where I graduated in 1988 gaining full marks.

Immediately after the diploma, I integrated in Master Nolli’s workshop where I learned all the tricks of the trade.

As I finished my internship in 1992, I opened my own workshop at Via Bella Rocca14, in the centre of Cremona. Here, by practicing constantly, I’ve improved and perfected my skills, in particular as for the construction of the classical quartet (violin, viola, cello).

I’ve also made some Baroque instruments, such as a pochette (directly inspired by Stradivari’s models) and violas d’amore.

Stradivari’s tradition, its features and models are my main inspiration. In addition to traditional modern instruments, I’ve focused my production on making copies of ancient instruments.

My creations are appreciated worldwide, especially in the USA, Japan, Germany, and Italy of course.

My company is a sole trader and registered at the Craftsmen Register of Cremona Chamber of Commerce.

Since 2010, I’m the Luthiers’ group leader of Cremona Confartigianato (it’s the confederation of the Italian craftsmen), and vice president of this association

ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹

ÃÒ¤Ò : 700,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Vittorio Villa
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5006

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Vittorio Villa ·Ã§ Stradivari
Top: Italian Spruce
Back & side: Bosnia maple
Finger boar: Ebony
with Certificate

Vittorio Villa was born in Monza in 1961. He has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras. He graduated in 1992 at the International School of Violin-making in Cremona. Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship. Vittorio Villa, finalist in several Italian and international violin making competitions, prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. He also at times still plays in local chamber ensembles. Baroque-specialised musicians have shown great interest in his period instruments: viola d'amore, viola da gamba, pochette, lira da braccio, baroque violin, baroque viola, baroque cello.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Louis XIV Niccolo Amati 1656 Rep. by Vittorio Villa
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5014

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Louis XIV Niccolo Amati 1656
a replica of the famous
Niccolo Amati 1656 King Louis XIV
made in 2005 by Vittorio Villa
an inlaid violin made by Vittorio Villa in 2005

Born in Monza in 1961, Vittorio Villa has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras such as the orchestra of the Verona Arena and the Angeli cum orchestra of Milan.

He obtained the Diploma of violin maker at the International Violin-making School of Cremona under the guidance of his brother Marcello Villa.

Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship.

Vittorio Villa, finalist in several Italian and international violin making competitions (City of Bagnacavallo, A. Stradivari Cremona, City of Baveno), prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. His varnish is of a transparent dark-orange color. At present working with his brother Marcello Villa in their Cremona workshop, he also at times still plays in local chamber ensembles.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹Vittorio Villa ·Ã§ Stradivari 1679 Hellier model
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5015

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹Vittorio Villa ·Ã§ Stradivari 1679 Hellier model
Vittorio Villa Born in Monza in 1961, Vittorio Villa has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras such as the orchestra of the Verona Arena and the Angeli cum orchestra of Milan.

He obtained the Diploma of violin maker at the International Violin-making School of Cremona under the guidance of his brother Marcello Villa.

Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship.

Vittorio Villa, finalist in several Italian and international violin making competitions (City of Bagnacavallo, A. Stradivari Cremona, City of Baveno), prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. His varnish is of a transparent dark-orange color. At present working with his brother Marcello Villa in their Cremona workshop, he also at times still plays in local chamber ensembles.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Vittorio Villa Personalinato 2014 ·Ã§ Stradivari 1715
ÂÕèËéÍ: Vittorio Villa
ÃËÑÊ: VN5023

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Vittorio Villa Personalinato 2014 ·Ã§ Stradivari 1715

Top: Italian Maple
Back & Side: Bosnian Maple
Finger board: Madagascan Ebony
Fitting Rose Wood hand made by Vittorio
Spirit Vanish formula by Villa Family
With Certificate

Vittorio Villa was born in Monza in 1961. He has a Conservatory Diploma in Violin playing and has performed as a violinist with important Italian orchestras. He graduated in 1992 at the International School of Violin-making in Cremona. Also teacher at the same institute, he furthermore had the opportunity to research the aspects of physical acoustics in the field of bowed instruments. It is due to this background, both as a performer and as a researcher, that Vittorio Villa's instruments are sought after by musicians for their sound quality in addition to their fine workmanship. Vittorio Villa, finalist in several Italian and international violin making competitions, prefers to base his work on the classic Stradivari, Guarneri and Amati patterns and he also builds reproductions of famous antique instruments. He also at times still plays in local chamber ensembles. Baroque-specialised musicians have shown great interest in his period instruments: viola d'amore, viola da gamba, pochette, lira da braccio, baroque violin, baroque viola, baroque cello
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Pietro Guarneri da Venezia ¢¹Ò´ 41.5 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7001

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Pietro Guarneri da Venezia ¢¹Ò´ 41.5 «Á.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 900,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Mahler ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7002

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari "Mahler" ¢¹Ò´ 42 «Á. ÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Galileo Chini ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7003

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari “Galileo Chini" ¢¹Ò´ 42 «Á. ÊÑ觷ÓÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Corrado Feroci ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7004

ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari "Corrado Feroci" ¢¹Ò´ 42 «Á. ÊÑ觷ÓÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
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