Bravo Music everthing for string player
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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
¾º¢éÍÁÙÅ·Ñé§ËÁ´4770 ÃÒ¡ÒÃ

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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marco Imer Piccinotti 2013 ·Ã§ Stradivari Birdeye Maple
ÂÕèËéÍ: Marco Imer Piccinotti
ÃËÑÊ: VN5021

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marco Imer Piccinotti 2013 ·Ã§ Stradivari Top: Italian Spruce
Back & side: Birdeye Maple
Ebony finger board and fitting

born in San Polo d'Enza (RE), Italy on 25/04/1962

Awards:
1989 (Baveno - Italy) violin: award for the best sound.
1993 (Baveno - Italy) violin: CCIAA award
1995 (Baveno ?- Italy) cello: bronze medal.
1995 (Bagnacavallo - Italy) violin: bronze medal.
1995 (Poznan - Poland) violin: award for the best style and character of the work.
2003 (Modena - Italy): diploma and medal of excellence for the instruments made.

Associations:
Founder member and current chairman of the "Liuteria Parmense".
Founder member of "Liutai Milanesi Contemporanei" .
Member of the V.S.A. (Violin Society of America).

Teaching:
1997/1998 – restoration andof stringed instruments at the “Scuola di artigianato Artisti?co del Centopievese".
1998/2001 – stringed instrument varnishing at the "Scuola Internazionale di Liuteria” in Parma.
1998/to date - stringed instrument painting at the "Civica Scuola di Liuteria" in Milan.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 550,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2011 ·Ã§ Guarneri Da Mantova
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5201

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Guarneri Da Mantova " CAMELLI" â´Â Paolo Vettori Firenze 2011
Top is Italian Sprece From Valdi Fiemme, Valley in North of Italy. One Piece back from Bosnian Maple very fine ,Slap cut with very strong deep large flamm.

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2012 ·Ã§ Niccolo Gagliano Napoli 1755
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5202

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Niccolo Gagliano Napoli 1755 â´Â Paolo Vettori Firenze, 2012
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2014 ·Ã§ Guarneri Dal Gesu
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5205

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2014 ·Ã§ Guarneri Dal Gesu

Top: Old Italian Spruce
Back & Side: Bosnia
Formula Stefanini Varnish

Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Sofia Vettori 2013 ·Ã§ Carlo Testore Milano 1752
ÂÕèËéÍ: Sofia Vettori
ÃËÑÊ: VN5022

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Sofia Vettori 2013 ·Ã§ Carlo Testore Milano 1752
" Nodo Serpente "
Top: Italian Spruce
Back & Side: Italian Maple
Formula Stefanini Varnish

ʹã¨Êͺ¶ÒÁÃÒÂÅÐàÍÕ´ÊÔ¹¤éÒáÅÐÊèǹŴ¾ÔàÈÉâ·Ã 082-8246699
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹

ÃÒ¤Ò : 700,000


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äÇâÍÅÔ¹ Sofia Vettori 2011 ·Ã§ Giuseppe Guarneri del Gesu 1743 Libeccio
ÂÕèËéÍ: Sofia Vettori
ÃËÑÊ: VN5203

äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Giuseppe Guarneri del Gesu 1743 ispirato Al CANNONE Di Paganni "Libeccio" â´Â Sofia Vettori Firanze 2011
Top: Italian Spruce
Back & Side: Italian Maple
Formula Stefanini Varnish
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 700,000
äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Emperor) AD. 2013
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5028

äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Emperor) AD. 2013 (S.Guglielmo)

Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Cremonese) AD. 2014
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5029

äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Cremonese) AD. 2014 (Ciclamino)

Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
ÃÒ¤Ò : 1,000,000
äÇâÍÅÔ¹ Stefano Conia äÁéà¡èÒ AD. 2014
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5035

äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Cremonese) AD. 2014 (GUY)

Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
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äÇâÍÅÔ¹ÍÔµÒÅÕ Stefano Conia Anno 2022 ·Ã§ Stradivari 1716 Messiah
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5051

äÇâÍÅÔ¹ÍÔµÒÅÕ Stefano Conia Anno 2022 ·Ã§ Stradivari 1716 (Messiah)

Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
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