Bravo Music everthing for string player
ÍÕàÁÅì: ÃËÑʼèÒ¹:
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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
¾º¢éÍÁÙÅ·Ñé§ËÁ´4777 ÃÒ¡ÒÃ

˹éÒ·Õè 423   1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | 202 | 203 | 204 | 205 | 206 | 207 | 208 | 209 | 210 | 211 | 212 | 213 | 214 | 215 | 216 | 217 | 218 | 219 | 220 | 221 | 222 | 223 | 224 | 225 | 226 | 227 | 228 | 229 | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | 259 | 260 | 261 | 262 | 263 | 264 | 265 | 266 | 267 | 268 | 269 | 270 | 271 | 272 | 273 | 274 | 275 | 276 | 277 | 278 | 279 | 280 | 281 | 282 | 283 | 284 | 285 | 286 | 287 | 288 | 289 | 290 | 291 | 292 | 293 | 294 | 295 | 296 | 297 | 298 | 299 | 300 | 301 | 302 | 303 | 304 | 305 | 306 | 307 | 308 | 309 | 310 | 311 | 312 | 313 | 314 | 315 | 316 | 317 | 318 | 319 | 320 | 321 | 322 | 323 | 324 | 325 | 326 | 327 | 328 | 329 | 330 | 331 | 332 | 333 | 334 | 335 | 336 | 337 | 338 | 339 | 340 | 341 | 342 | 343 | 344 | 345 | 346 | 347 | 348 | 349 | 350 | 351 | 352 | 353 | 354 | 355 | 356 | 357 | 358 | 359 | 360 | 361 | 362 | 363 | 364 | 365 | 366 | 367 | 368 | 369 | 370 | 371 | 372 | 373 | 374 | 375 | 376 | 377 | 378 | 379 | 380 | 381 | 382 | 383 | 384 | 385 | 386 | 387 | 388 | 389 | 390 | 391 | 392 | 393 | 394 | 395 | 396 | 397 | 398 | 399 | 400 | 401 | 402 | 403 | 404 | 405 | 406 | 407 | 408 | 409 | 410 | 411 | 412 | 413 | 414 | 415 | 416 | 417 | 418 | 419 | 420 | 421 | 422 |  423 | 424 | 425 | 426 | 427 | 428 | 429 | 430 | 431 | 432 | 433 | 434 | 435 | 436 | 437 | 438 | 439 | 440 | 441 | 442 | 443 | 444 | 445 | 446 | 447 | 448 | 449 | 450 | 451 | 452 | 453 | 454 | 455 | 456 | 457 | 458 | 459 | 460 | 461 | 462 | 463 | 464 | 465 | 466 | 467 | 468 | 469 | 470 | 471 | 472 | 473 | 474 | 475 | 476 | 477 | 478 |
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»Ò¡ÍÑÅâµá«¡â«â¿¹ Yamaha
ÂÕèËéÍ:
ÃËÑÊ: Saxas-4c

 
ÃÒ¤Ò : 1,650
ÊèǹŴ : 150 (9%)
ÃÒ¤Ò¢ÒÂ :
1,500
»Ò¡à»èÒÍÑÅâµá«¡â«â¿¹ ÃØè¹ BR-ASSET
ÂÕèËéÍ: Bravo
ÃËÑÊ: MPASBR

»Ò¡à»èÒÍÑÅâµá«¡â«â¿¹ ÃØè¹ BR-ASSET
ÍØ»¡Ã³ì¤ÃºªØ´ ÃÑ´ÅÔé¹ ½Ò¡¤Ãͺ »Ò¡à»èÒ
ÃÒ¤Ò : 700
»Ò¡à»èÒÍÑÅâµá«¡â«â¿¹ÂÒÁÒÎèÒ ÃØè¹ AS-4C
ÂÕèËéÍ: YAMAHA
ÃËÑÊ: MPAS4C

»Ò¡à»èÒÍÑÅâµá«¡â«â¿¹ÂÒÁÒÎèÒ ÃØè¹ AS-4C

The Standard Series are made out of high-quality phenol resin (plastic) and feature a design based upon the top grade Custom Series. They are extremely consistent in specifications and playing quality, and offer excellent value for their price. The facing of this series is slightly shorter than that of the Custom Series making them easier to play, and easier for beginning students to achieve a rich characteristic saxophone sound. They also are available in a variety of sizes, to suit the needs players of many different styles.
ÃÒ¤Ò : 1,200
»Ò¡à»èÒà·à¹ÍÃìá«¡â«â¿¹ÂÒÁÒÎèÒ ÃØè¹ TS-4C
ÂÕèËéÍ: YAMAHA
ÃËÑÊ: MPTS4C

»Ò¡à»èÒà·à¹ÍÃìá«¡â«â¿¹ÂÒÁÒÎèÒ ÃØè¹ TS-4C

The Standard Series are made out of high-quality phenol resin (plastic) and feature a design based upon the top grade Custom Series. They are extremely consistent in specifications and playing quality, and offer excellent value for their price. The facing of this series is slightly shorter than that of the Custom Series making them easier to play, and easier for beginning students to achieve a rich characteristic saxophone sound. They also are available in a variety of sizes, to suit the needs players of many different styles.
ÃÒ¤Ò : 1,200
äÁâ¤Ã⿹Ẻ Head Set ACEMIC ÃØè¹ G-120
ÂÕèËéÍ: ACEMIC
ÃËÑÊ: ECG-120

äÁâ¤Ã⿹Ẻ Head Set ACEMIC ÃØè¹ G-120
SPECIFICATION
Frequency Range: 2.4GHz
Frequency Synch: Automatic match
Frequency Response: 20Hz-20KHz?3dB
Power Supply: Lithium
RF power: 10mW
Capsule Type: Condensor
Current Consumption: 0dBm<70mA
Operation Distance: 20m
Power Consumption: 4Hours
ÃÒ¤Ò : 1,200
ÊèǹŴ : 200 (17%)
ÃÒ¤Ò¢ÒÂ :
1,000


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äÁâ¤Ã⿹µÔ´»¡àÊ×éÍ BM ÃØè¹ 01
ÂÕèËéÍ: BM
ÃËÑÊ: ECM01

äÁâ¤Ã⿹µÔ´»¡àÊ×éÍ BM ÃØè¹ 01
ÃÒ¤Ò : 100


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¤Í¨ÑºäÁ¤ì
ÂÕèËéÍ: Bravisimo
ÃËÑÊ: ECM11

¤Í¨ÑºäÁ¤ì Bravisimo
ÃÒ¤Ò :


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äÁâ¤Ã⿹¤Í¹à´¹à«ÍÃìẺ Head Set CAROL ÃØè¹ MUD-806
ÂÕèËéÍ: CAROL
ÃËÑÊ: ECMUD-806

äÁâ¤Ã⿹¤Í¹à´¹à«ÍÃìẺ Head Set CAROL ÃØè¹ MUD-806
àËÁÒÐÊÓËÃѺ§Ò¹¾Ô¸Õ¡Ã ¶èÒÂÇÔ´ÕâÍ §Ò¹¡ÅÒ§á¨é§µèÒ§æËÃ×Í¡ÒÃàÃÕ¹¡ÒÃÊ͹·Õèµéͧ·èÒ·Ò§»ÃСͺÊ͹à¾×èÍ͸ԺÒÂ
This condenser mic MUD-806 is equipped with a comfortable, self-adjusting headband and swivel mic arm for a secure fit. Its high clarity and stability make it a top choice for aerobics instructors and for hands-free performance.
- Highly sensitive condenser microphone, clear sound quality.
- Comfortable and stable with self-adjusting headband and swivel mic arm for secure fit.
- Suitable for performing, fitness / yoga / dance teaching use.
[ Specifications ]
- Capsule: Condenser (?6)
- Polar Pattern: Cardioid
- Output impedance: 2.2K ohm +- 30%(at 1,000 Hz)
- Power supply: DC 1.5V
- Sensitivity: -67 +-3dB ( 0dB=1V / Microbar at 1,000 Hz indicated by open circuit)
- Frequency Response: 100 ~ 10,000 Hz
- Housing: ABS
- Weight: 31g / 0.06 lbs (With cord)
ÃÒ¤Ò : 1,000
ÊèǹŴ : 200 (20%)
ÃÒ¤Ò¢ÒÂ :
800


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Neumann KMS 105 äÁ¤ìÊÒ Microphone äÁâ¤Ã⿹ÊÓËÃѺÃéͧ
ÂÕèËéÍ: Neumann
ÃËÑÊ: ECMKMS105

Neumann KMS 105 äÁ¤ìÊÒ Microphone äÁâ¤Ã⿹ÊÓËÃѺÃéͧSuperior äÁâ¤Ã⿹Ẻ¶×Í Handheld ª¹Ô´ Condenser ·Õèä´éÃѺ¡ÒÃÂÍÁÃѺã¹ÃдѺÁҵðҹÊÒ¡Å áÅж١áµè§µÑé§ãËéà»ç¹äÁâ¤Ã⿹ÃдѺ First Class
¤Ø³ÊÁºÑµÔ
à»ç¹äÁ¤ì·ÕèÁÕ Polar Pattern Ẻ Super Cardioid Ê觼ÅãËéÊÒÁÒöµÑ´àÊÕ§·ÕèÁÒ¨Ò¡´éÒ¹ËÅѧ¢Í§äÁâ¤Ã⿹ã¹ÅѡɳСÒ÷ÓÁØÁ¶Ö§ 180 ͧÈÒ
ÁÕ¤ÇÒÁÅÐàÍÕ´¢Í§àÊÕ§Ẻ acoustic ÊÙ§ áÅÐÊÒÁÒöµÍºÊ¹Í§¤ÇÒÁ¶Õèä´éÍÂèÒ§´ÕàÂÕèÂÁ
àËÁÒÐÍÂèÒ§ÂÔè§ÊÓËÃѺ¡ÒÃáÊ´§Ê´º¹àÇ·ÕáÅЧҹ Broadcast µèÒ§æ
ÁդسÊÁºÑµÔ¾ÔàÈÉ·ÕèÊÒÁÒöŴ·Í¹àÊÕ§ú¡Ç¹ä´éâ´ÂÍѵâ¹ÁÑµÔ áÅÐÁÕÃкº»éͧ¡Ñ¹ Crosstalk ¨Ö§äÁè¡èÍà¡Ô´ÍÒ¡ÒúԴàº×͹¢Í§àÊÕ§ ·ÓãËéàËÁÒÐÊÓËÃѺãªé§Ò¹¡ÑºÃкº in-ear monitoring system ´éÇÂàªè¹¡Ñ¹
Neumann KMS-105 Features:
- Condenser microphone for crystal clear highs deep lows
- Neumann sound on stage
- Excellent transparency for vocals/speech
- Without off-axis coloration
- Transformerless output
- Supercardioid polar pattern with excellent feedback rejection
- Effective pop shielding without any side effects
- Set includes stand clamp
- Requires +48V phantom power
Spec :
Acoustical operating principle Pressure gradient transducer
Directional Pattern Supercardioid
Frequency Range 20 Hz … 20 kHz
Sensitivity at 1 kHz into 1 kohm 4.5 mV/Pa ? 1 dB equ. -47 dBV
Rated Impedance 50 ohms
Rated load impedance 1 kohms
Equivalent noise level, CCIR 1 28 dB
Equivalent noise level, A-weighted 2 18 dB-A
Maximum SPL for THD 0.5% 3 150 dB
Signal-to-noise ratio, CCIR (re. 94 dB SPL) 4 66 dB
Signal-to-noise ratio, A-weighted (re. 94 dB SPL) 5 76 dB
Maximum output voltage 12 dBu
Supply voltage (P48, IEC 61938) 48 V ? 4 V
Current consumption (P48, IEC 61938) 3.5 mA
Matching connector XLR 3 F
Weight approx. 300 g
Diameter 48 mm
Length 180 mm
ÃÒ¤Ò : 41,500
ÊèǹŴ : 14,600 (35%)
ÃÒ¤Ò¢ÒÂ :
26,900
äÁâ¤Ã⿹ Schertler ÊÓËÃѺà»ÕÂâ¹ upright/grand ÃØè¹ DYN-GP-P48
ÂÕèËéÍ: Schertler
ÃËÑÊ: EPPDYNGPP48

äÁâ¤Ã⿹ Schertler ÊÓËÃѺà»ÕÂâ¹ upright/grand ÃØè¹ DYN-GP-P48
The DYN GP P48 is a set of two active and fully balanced electrodynamic contact microphones for piano. The set also includes a padded bag and a special adhesive putty.

SCHERTLER DYN P48 series contact microphones are high-end transducers designed for
professional applications. Suitable for use on a variety of instruments in both live/amplified and studio environments, these fully-balanced, active, dynamic contact microphones can be safely applied to even the most valuable of instruments using the special adhesive putty provided.

The microphones can be quickly transferred between instruments during performances or recording sessions. Once in place, their lightweight design makes them unobtrusive to the performer.

A balanced XLR connector enables direct connection to a microphone input on a mixing console, or a full range amplification system. (Note: these contact microphones require 22-48V phantom power, with the exception of the passive DYN UNI.) The torsion-resistant, Kevlar-reinforced cable is designed to withstand the rigors of daily use while delivering best possible performance results.

SCHERTLER DYN P48 series microphones all feature built-in Class-A preamps and advanced filtering technology that enables each microphone to capture the best tonal qualities of the intended instrument.
Technical Specifications:
Output impedance 4.7 Kohm @ 1 KHz
Frequency Response 20 Hz to 20 kHz
Dynamic range 139 dB, 145 dB typical
Sensitivity (on instrument) ca. -30 dB
Sensitivity (theoretical) -62 dB/@ 1um ampl.
Mechanical decoupling Butterworth 2nd order, Q=6
Temperature range -20 degree Celcius to +70 degree Celcius
Minimum operating voltage 22 VDC
Active EQ Customized for each instrument
Electronics all Class-A
Contacts All hard gold plated 0.5 mm
Connection XLR balanced
ÃÒ¤Ò : 40,000
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