|
|
| ¾º¢éÍÁÙÅ·Ñé§ËÁ´1610 ÃÒ¡Òà |
|
|
´ÑºàºÔÅàºÊ ÃØè¹ 287G ¢¹Ò´Áҵðҹ ·Ã§ Gamba
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB287G
|
|
|
|
´ÑºàºÔÅàºÊ ÃØè¹ 287G ¢¹Ò´Áҵðҹ ·Ã§ Gamba
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ
- á¼è¹ËÅѧáÅТéÒ§ÅÒÂäÁéàÁà»ÔÅ
- ËÒ§»ÅÒáÅÐÊоҹ¹ÔéÇ·Ó¨Ò¡äÁé Ebony à¹×éÍá¢ç§
- ¶Ø§ãÊèºØË¹Ò 2 «Á.
- ÊÒÂ Fortune ÃØè¹ Natural core steel
- ¾ÃéÍÁ»ÃѺáµè§ËÂèͧáÅÐàÊÒËÅÑ¡àÊÕ§
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔÅàºÊ Hybrid ÃØè¹ 287GB ¢¹Ò´Áҵðҹ ·Ã§ Gamba ¾ÃéÍÁÊÒ Belcanto (Full Setup)
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB287GB
|
|
|
|
´ÑºàºÔÅàºÊ Hybrid ÃØè¹ 287GB ¢¹Ò´Áҵðҹ ·Ã§ Gamba ¾ÃéÍÁÊÒ Belcanto (Full Setup)
- µÑǷç Gamba
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹá·é
- á¼è¹ËÅѧ áÅТéÒ§ÅÒÂäÁéàÁà»ÔÅ
- ¤Í·Ó¨Ò¡äÁéàÁà»ÔéÅ
- ªØ´ÅÙ¡ºÔ´·Ó¨Ò¡·Í§àËÅ×ͧẺà´ÕèÂÇ
- ËÒ§»ÅÒ áÅÐÊоҹ¹ÔéÇ·Ó¨Ò¡äÁé Ebony ÍÔ¹à´ÕÂ
- ËÂèͧ·Ó¨Ò¡äÁéàÁà»ÔéÅ »ÃѺáµè§¾ÃéÍÁãªé§Ò¹
- ÊÒÂ Thomastik ÃØè¹ Belcanto
- ¶Ø§ãÊèºØË¹Ò 2 «Á
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔÅàºÊ ÃØè¹ 287V ¢¹Ò´Áҵðҹ ·Ã§ÍÔµÒàÅÕ¹
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB287V
|
|
|
|
´ÑºàºÔÅàºÊ ÃØè¹ 287V ¢¹Ò´Áҵðҹ ·Ã§ ÍÔµÒàÅÕ¹
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ
- á¼è¹ËÅѧáÅТéÒ§ÅÒÂäÁéàÁà»ÔÅ
- ËÒ§»ÅÒáÅÐÊоҹ¹ÔéÇ·Ó¨Ò¡äÁé Ebony à¹×éÍá¢ç§
- ¶Ø§ãÊèºØË¹Ò 2 «Á.
- ÊÒÂ Fortune ÃØè¹ Natural core steel
- ¾ÃéÍÁ»ÃѺáµè§¤ÇÒÁÊÙ§ËÂèͧ áÅÐàÊÒËÅÑ¡àÊÕ§
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔÅàºÊ ÃØè¹ 287V ¢¹Ò´Áҵðҹ ·Ã§ÍÔµÒàÅÕ¹ Full Setup ¾ÃéÍÁÊÒ Belcanto
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB287VB
|
|
|
|
´ÑºàºÔÅàºÊ ÃØè¹ 287V ¢¹Ò´Áҵðҹ ·Ã§ ÍÔµÒàÅÕ¹ ¾ÃéÍÁÊÒ Belcanto
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ
- á¼è¹ËÅѧáÅТéÒ§ÅÒÂäÁéàÁà»ÔÅ
- ËÒ§»ÅÒáÅÐÊоҹ¹ÔéÇ·Ó¨Ò¡äÁé Ebony à¹×éÍá¢ç§
- ¶Ø§ãÊèºØË¹Ò 2 «Á.
- ¾ÃéÍÁ»ÃѺáµè§¤ÇÒÁÊÙ§ËÂèͧ áÅÐàÊÒËÅÑ¡àÊÕ§
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔéÅàºÊ Nakovitz ÃØè¹ 300 ·Ã§ Gamba ¢¹Ò´Áҵðҹ
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB300
|
|
|
|
´ÑºàºÔéÅàºÊ Nakovitz ÃØè¹ 300 ·Ã§ Gamba ¢¹Ò´Áҵðҹ
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ
- á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁéàÁà»ÔÅ
- ËÒ§»ÅÒáÅÐÊоҹ¹ÔéÇ·Ó¨Ò¡äÁéà¹×éÍá¢ç§á¶Á¤Ñ¹ªÑ¡áÅжاãÊèºØË¹Ò 2 «Á.
- ÊÒ D'addario ¾ÃéÍÁ»ÃѺáµè§ËÂèͧáÅÐàÊÒËÅÑ¡àÊÕ§
- ÃѺ»ÃСѹ 6 à´×͹
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔéÅàºÊ ·Ã§ÍÔµÒàÅÕ¹ ÃØè¹ 310 ¢¹Ò´Áҵðҹ
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB310
|
|
|
|
´ÑºàºÔéÅàºÊ ·Ã§ÍÔµÒàÅÕ¹ ÃØè¹ 310 ¢¹Ò´Áҵðҹ
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ
- á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁéàÁà»ÔÅÁÕÅÒÂ
- ËÒ§»ÅÒáÅÐÊоҹ¹ÔéÇ·Ó¨Ò¡äÁéà¹×éÍá¢ç§á¶Á¤Ñ¹ªÑ¡áÅжاãÊèºØË¹Ò 2 «Á.
- ÊÒ D'addario ¾ÃéÍÁ»ÃѺáµè§ËÂèͧáÅÐàÊÒËÅÑ¡àÊÕ§
- ÃѺ»ÃСѹ 6 à´×͹
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔÅàºÊ Samuel Shen ¢¹Ò´Áҵðҹ ·Ã§ Flat Black äÁé Willow
ÂÕèËéÍ: Samuel Shen
ÃËÑÊ: DB200SBW
|
|
|
|
´ÑºàºÔÅàºÊ Samuel Shen ·Ã§ Flat Black äÁé Willow ¢¹Ò´Áҵðҹ
¤ÇÒÁÂÒÇÊÒ 41 1/4 ¹ÔéÇ
á¼è¹Ë¹éÒ Carved Spruce
á¼è¹ËÅѧáÅТéÒ§ Fully Carved Willow Flat Black
Finger Board Ebony
ËÒ§»ÅÒ Ebony
Endpin 10 mm rod
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
|
|
|
|
´ÑºàºÔÅàºÊ Christopher ÃØè¹ 401TGM ·Ã§ Flat Back Gamba ¢¹Ò´Áҵðҹ
ÂÕèËéÍ: Christopher
ÃËÑÊ: DB401TGM
|
|
|
|
´ÑºàºÔÅàºÊ Christopher ÃØè¹ 401TGM ·Ã§ Flat Back Gamba ¢¹Ò´Áҵðҹ
- µÑǷç Gamba Flat back
- á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹá·éÁÕÊèǹâ¤é§ á¼è¹¢éÒ§áÅÐËÅѧ·Ó¨Ò¡äÁéàÁà»ÔéÅ á¼è¹ËÅѧẹàÃÕº (Flat back) ãËéàÊÕ§´Õ´·ÕèÁÕ¾ÅѧªÑ´à¨¹à»ç¹¾ÔàÈÉ
- ·ÒÇÒ¹Ôª´éÇÂÁ×Íà»ç¹áºº Spilit ·ÓÊÕàÅÕ¹Ẻ¢Í§à¡èÒÊͧ઴ÊÕ
- Êоҹ¹ÔéÇáÅÐËÒ§»ÅÒ·Ó¨Ò¡äÁé Ebony ¨Ò¡·ÇÕ»áÍ¿ÃÔ¡Òãµé
- µÑÇËÂèͧ·Ó¨Ò¡äÁéàÁà»ÔÅ ÊÒÁÒö»ÃѺ¤ÇÒÁÊÙ§-µÓè ¢Öé¹-ŧä´é µÑÇ»ÃѺ·Ó¨Ò¡ÍÅÙÁÔ¹ÑÁ
- ÊÒÂ D'Addario Helicore
- ªØ´ÅÙ¡ºÔ´¼ÅÔµ¨Ò¡»ÃÐà·ÈàÂÍÃÁѹ¹Õ (German Machinehead) Ẻ Tyrolean
- ¾ÃéÍÁ¶Ø§ºØË¹Ò 20 ÁÁ.
- Endpin ·Ó¨Ò¡àËÅç¡¡ÅéÒäÃéʹÔÁàÊé¹¼èÒÈÙ¹Âì¡ÅÒ§ 10 ÁÁ.
- ÅÙ¡ÅéÍÂÒ§àµÔÁÅÁä´éÊÓËÃѺà¢ç¹
- à»ç¹§Ò¹·ÓÁ×Íâ´ÂªèÒ§½ÕÁ×ͨҡ Workshop Christopher
ÃѺ»ÃСѹµÑÇà¤Ã×èͧ¿ÃÕ 1 »Õ ¾ÃéÍÁºÃÔ¡ÒÃËÅѧ¡ÒâÒ ¿ÃÕ¤èÒáçÊÓËÃѺ¡ÒÃÃѺºÃÔ¡ÒõÃǨàªç¤ÊÀÒ¾à¤Ã×èͧ µÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ
|
|
|
|
|
´ÑºàºÔÅàºÊ Karl Hofner DBH5/7-B ·Ã§ Gamba-shaped 4/4
ÂÕèËéÍ: Karl Hofner
ÃËÑÊ: DBH5-7B
|
|
|
|
´ÑºàºÔÅàºÊ Karl Hofner H5/7-B ·Ã§ Gamba-shaped 4/4
Fully solid orchestra bass. This beautiful instrument is gamba-shaped and made from figured maple with genuine purfling.
Dark golden-brown spirit varnish is applied and D'Addario strings are fitted.
This stunning bass is complimented by a Wittner hi-tech tailpiece, Rubner single machine heads and a tube endpin.ch tailpiece,
Rubner single machine heads and a tube endpin.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ
|
|
|
|
|
´ÑºàºÔéÅàºÊ Lothar Semmlinger ÃØè¹ Swarovski ¢¹Ò´Áҵðҹ
ÂÕèËéÍ: Lothar Semmlinger
ÃËÑÊ: DB3602
|
|
|
|
´ÑºàºÔéÅàºÊ Lothar Semmlinger ÃØè¹ Swarovski ·Ã§ Gamba ¢¹Ò´Áҵðҹ
Lothar Semmlinger was born in Langensendelbach (Germany). He soon started to learn about the construction of string instruments. After his school period and under the direction of Master Albert Lang he learnt how to building string instruments. After that, when he was still very young, he worked with Karl Hofner improving his knowledge and skills.
In 1975, when he finished his studies, he got the title of "Master Craftsman of Bow Instruments" of the craftsmen Chamber of Numberg. He worked as a master for four years in Mohrendorf in the company Dilk, and in 1980 he opened his own workshop in Baiersdorf, which is known, as well as Mittenwald for its instruments and its luthery school.
He started to build his own instruments, and continued working with Benedikt Lang, to which he was very close through his master Albert Lang. Later, in 1994 he got in charge of Benedikt Lang according to the wishes of Lang Company. He started to build high quality instruments with his two sons Stefan and Christian and two assistants.
Semmlinger's instruments are characterized for their deep acoustic pitch and their great sound power. His instruments remind of the quality of those of the old times, both in the sound and in their finish.
He has done the reproduction of "The lady of Miwa" (a jewel, replica of the famous baroque 1623 violoncello of the Italian luthier Tomaso Castelli). His latest challenge has been to use new types of wood for his instruments: Italian poplar. This wood hasn't been used in instruments before because it is softer than maple.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ
|
|
|
|
|
