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àªÅâÅ Jr. Sebastian Hand made ¢¹Ò´ 4/4
ÂÕèËéÍ: Jr. Sebastian
ÃËÑÊ: VC720
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àªÅâÅ Jr. Sebastian ¢¹Ò´ 4/4 àªÅâÅ
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹÂØâû·Õè¼èÒ¹¡ÒäѴàÅ×Í¡ÍÂèÒ§´Õ á¼è¹ËÅѧ·Ó¨Ò¡àÁàºÔéÅÁÕÅÒÂÊǧÒÁªØ´ fitting ·Ó¨Ò¡äÁé Ebony
ËÒ§»ÅÒ¨Ò¡»ÃÐà·È Italy REX ÃØè¹ Mark7 ·Ó¨Ò¡äÁé Ebony µÑÇàÃè§ÊÒ·Өҡ Titanuim ·ÕèÃÇÁàÍÒµÑÇàÃè§ÊÒ½ѧäÇéã¹ËÒ§»ÅÒ¾ÃéÍÁÊÒÂÃÑ´ËÒ§»ÅÒ¡ÃÒ俵ì
Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé ebony à¡Ã´ A
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ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Nakovitz ÃØè¹ 310 ¢¹Ò´ 4/4 ÍØ»¡Ã³ì¤ÃºªØ´
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: VC310
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àªÅâÅ Nakovitz ÃØè¹ 310 ¢¹Ò´ 4/4 ÍØ»¡Ã³ì¤ÃºªØ´
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ á¼è¹ËÅѧ·Ó¨Ò¡àÁà»ÔéÅ Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé ebony ËÒ§»ÅÒ·Ó¨Ò¡âÅËоÃéÍÁµÑÇàÃè§ÊÒ 4 µÑǽÑè§ÍÂÙè á¶Á¾ÃéÍÁ¶Ø§áÅФѹªÑ¡
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Nobel Heart ÃØè¹ 601 ¢¹Ò´ 7/8
ÂÕèËéÍ: Nobel Heart
ÃËÑÊ: VC505
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àªÅâÅ Nobel Heart ÃØè¹ 601 ¢¹Ò´ 7/8 (lady size)
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁéàÁà»ÔéÅÁÕÅÒÂÊǧÒÁ Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé ebony ¾ÃéÍÁ»ÃѺáµè§â´Â work shop of Ming Jiang Zhu
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Noble Heart ÃØè¹ 601 ¢¹Ò´ 4/4
ÂÕèËéÍ: Nobel Heart
ÃËÑÊ: VC601
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àªÅâÅ Noble Heart ÃØè¹ 601 ¢¹Ò´ 4/4
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ á¼è¹ËÅѧ·Ó¨Ò¡äÁéàÁà»ÔéÅÁÕÅÒ Êоҹ¹ÔéÇ,ÅÙ¡ºÔ´áÅÐËÒ§»ÅÒ·Ó¨Ò¡äÁé ebony à¡Ã´ A setup â´Â workshop ¢Í§ Ming-Jiang Zhu
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Nobel Hear ÃØè¹ 602 ¢¹Ò´ 4/4
ÂÕèËéÍ: Nobel Heart
ÃËÑÊ: VC602
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àªÅâÅ Nobel Hear ÃØè¹ 602 ¢¹Ò´ 4/4
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹ á¼è¹ËÅѧ·Ó¨Ò¡äÁéàÁà»ÔéÅÁÕÅÒ Êоҹ¹ÔéÇ,ÅÙ¡ºÔ´áÅÐËÒ§»ÅÒ·Ó¨Ò¡äÁé ebony à¡Ã´ A setup â´Â workshop ¢Í§ Ming-Jiang Zhu
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Williorm Cestlee ¢¹Ò´ 1/8
ÂÕèËéÍ: Williorm Cestlee
ÃËÑÊ: VC504
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àªÅâÅ Williorm Cestlee ¢¹Ò´ 1/8
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹÂØâû·Õè¼èÒ¹¡ÒäѴàÅ×Í¡ÍÂèÒ§´Õ á¼è¹ËÅѧ·Ó¨Ò¡àÁàºÔéÅÁÕÅÒÂÊǧÒÁ ¾ÃéÍÁªØ´ fiting ·Ó¨Ò¡äÁé box wood ËÒ§»ÅÒà»ç¹áººãËÁè·ÕèÃÇÁàÍÒµÑÇàÃè§ÊÒ½ѧäÇéã¹ËÒ§»ÅÒ Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé ebony à¡Ã´ AãËéàÊÕ§·Õèä¾àÃÒÐáÅÐÁÕ¤ÇÒÁ¡Ó·Í¹¢Í§àÊÕ§à»ç¹ÍÂèÒ§
ÃѺ»ÃСѹ 1 »Õ ¾ÃéÍÁÃѺ¤×¹¡ÅѺ 30% àÁ×è͹ӡÅѺÁÒáÅ¡à»ÅÕè¹¢¹Ò´·ÕèãËè¢Ö鹡ÅѺ·Ò§ÃéÒ¹ã¹Ê¶Ò¾·ÕèÊÁºÙóì (੾ÒеÑÇàªÅâÅ)
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Navinci ·Ã§ Stradivari ÃØè¹ ¢¹Ò´ 4/4
ÂÕèËéÍ: Antonio Navinci
ÃËÑÊ: VC801
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àªÅâÅ Navinci ·Ã§ Stradivari ¢¹Ò´ 4/4
á¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹÂØâû ¨Ò¡»ÃÐà·ÈºÍÊà¹Õ ·Õè¼èÒ¹¡ÒäѴàÅ×Í¡ ( Jay Haide Workshop )
á¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁéàÁà»ÔéÅÂØâû ¨Ò¡»ÃÐà·ÈºÍÊà¹Õ ¼èÒ¹¡ÒäѴàÅ×Í¡ÁÕÅÒÂÊǧÒÁ
Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé Ebony
ªØ´ÅÙ¡ºÔ´äÁéâÃÊÇÙ´ ËÂèͧ½ÃÑè§àÈÊ Aubert de Luxe
¾ÃéÍÁÊÒ Jargar
ÇÒ¹Ôª Spirit ÊÕÍӾѹ
»ÃѺáµè§â´Â BM Workshop ¨Ñ´Ê觿ÃÕ·ÑèÇ»ÃÐà·È
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Bernd Dimbath ·Ã§ Matteo Gofriller
ÂÕèËéÍ: Bernd Dimbath
ÃËÑÊ: VC395
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àªÅâÅ Bernd Dimbath ·Ã§ Matteo Gofriller
All of the tonewood is from European sources and is naturally aged for at least 10 years and is selected from their own stock.
Matteo Gofriller Raise the subject of Venetian cellos, and players excitingly mention their great depth and powerful sound. The Gofriller captures the vibrant, penetrating tonal quality of the original. True to the maker's intent, the very characteristic craftsmanship achieves a perfect level of grace and balance. Although the pattern is built on a grand scale, it is easy to play due to its relatively narrow upper bouts. Special care has been taken with the wood selection, arching, and graduation to produce an instrument ideal for solo, orchestral, and chamber music. The cello responds to the player's inner voice with its agile response and ample, rich, and warm tone.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Bernd Dimbath ·Ã§ Francesco Ruggieri
ÂÕèËéÍ: Bernd Dimbath
ÃËÑÊ: VC396
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àªÅâÅ Bernd Dimbath ·Ã§ Francesco Ruggieri
All of the tonewood is from European sources and is naturally aged for at least 10 years and is selected from their own stock. Wood selection is assisted by using high-end scientific measurements and the highly trained, expert eye of Bernd to ensure the wood has the most favorable inherent acoustical properties which is a critical factor in making world-class modern instruments. Bernd Dimbath works closely with two Dutch scientists combining 300 years of violin making tradition with 21st century acoustical research.
Francesco Ruggieri (1645-1700) was a student of Nicola Amati and worked as a resident apprentice in Amati's workshop. He is known for combining the tradition of the Cremonese school with quite innovative ideas to improve the tonal quality and the beauty of the instruments he made. The result were quite broad cellos with elevated arching and widened f-holes. The sound is sophisticated and wonderfully rich and clear.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅ Bernd Dimbath ·Ã§ Antonio Stradivari
ÂÕèËéÍ: Bernd Dimbath
ÃËÑÊ: VC397
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àªÅâÅ Bernd Dimbath ·Ã§ Antonio Stradivari
All of the tonewood is from European sources and is naturally aged for at least 10 years and is selected from their own stock.
After examining renowned maker cellos and actually making cellos for many years, I have opened my mind to incorporating different ideas resulting in developing my own personal style. Although unique in style, the pattern relates closely to the Stradivarius. The combination of Cremonese style arching and splendid varnish, very attractive choice of wood and excellent craftsmanship result in an instrument of the highest quality both tonally and aesthetically.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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