|
|
ªØ´Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Symphony Design Maple 22 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS24
|
|
|
|
ªØ´Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Symphony Design ·Ó¨Ò¡äÁéàÁà»ÔéÅ ¤ÇÒÁÊÙ§ 22 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. |
|
|
|
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Pear wood 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS29
|
|
|
|
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Pear wood 32 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
|
|
|
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Walnut wood 24 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS30
|
|
|
|
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Walnut wood 24 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
|
|
|
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Rosewood 28 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS31
|
|
|
|
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Rosewood 28 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
|
|
|
|