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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
 

µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì Schertler ÃØè¹ JAM200 Çѵµì Anthracite Class-A Amplifier
ÂÕèËéÍ: Schertler ÃËÑÊ: EAA15A

µÙéáÍÁ»ìͤÙʵԤ/ÁÔ¡à«ÍÃì Schertler ÃØè¹ JAM200 Çѵµì Anthracite

JAM becomes the third member of Schertler’s next generation acoustic amplification series. The new 5-channel all-rounder combines a comprehensive feature set with the updated technology and enhanced look that defines all the models in this latest range.


Equipped with a 1 dome tweeter and 8 woofer, and featuring an optimized 2-way bass reflex construction, JAM offers 200W (150W + 50W) of bi-amplified power. The amplifier includes a balanced microphone (XLR) input, an unbalanced mic/instrument input and an input offering both balanced microphone and unbalanced mic/instrument options. Both instrument inputs feature a Bootstrap technology that enables the input to automatically adapt to any impedance. A separate stereo input channel will additionally accommodate devices such as a computers, MP3 or CD/DVD players. A 5th FX Return channel can also be used for inputting line level devices.
The 3 main microphone/instrument input channels include a Gain control for input sensitivity regulation and 3-band EQ, with parametric mids on input channels 1 and 3 and a switchable resonance (notch) filter (240Hz/150Hz) on channel 2. Phantom power is supplied for condenser and electrostatic microphones. Each of these channels also features an overload LED. Channel 1 is additionallyequipped with a phase reverse switch to prevent feedback, or unwanted effects between the various channels.

JAM’s Master Section controls include a new adjustable DI Out, a new Mute button, a Line Out enabling the connection of externalsystems, a digital reverb and an Insert for connecting an external dynamics processor. Connection options are further enhanced with an Aux Out (Channel 1) that also enables connection to other systems. A Low Cut filter (cutting frequencies below 180Hz) can be used with instruments that generate aggressive low frequencies. This also enables a separate subwoofer to be connected without causing any damage to the amplifier. JAM is additionally equipped with a high voltage CLASS-A preamp that has no integrated circuits and No Negative Feedback (NFB).

Amplifiers are available in a choice of wood or anthracite finishes. The more delicate wood finish is perfect for studio or home use, blending with a range of room interiors. The anthracite finish is designed for performance and touring applications, where a more robust exterior finish is required.

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Class-A Amplifier
¹éÓ˹ѡ 12.2 ¡¡. (26.89»Í¹´ì)
¢¹Ò´¤ÇÒÁ¡ÇéÒ§ x ÂÒÇx ÊÙ§ 32.4x29.7x38 «Á.
Frequency Response 50 Hz to 20 kHz (+/-3dB)
Speakers 1 dome tweeter, 8 woofer
Construction Plywood
ªèͧÊÑ­­Ò³¢Òà¢éÒÍÔÊÃÐ 5 ªèͧ
ªèͧÊÑ­­Ò³·Õè 1 à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ. ªèͧÊÑ­­Ò³·Õè 2 áÅÐ 3 à»ç¹áººËÑÇàÊÕºẺ XLR balanced
ªèͧÊÑ­­Ò³·Õè 4 à»ç¹áººËÑÇàÊÕºẺ 3.5 ÁÁ. stereo
ªèͧÊÑ­­Ò³·Õè 5 ÁÕ 2 ªèͧ à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ.
ªèͧÊÑ­­Ò³¢ÒÍÍ¡ÁÕ 3 ªèͧà»ç¹áºº DI, LINE, AUX
ÁÕ»ØèÁ Phantom Power 10¤Ø³Åѡɳзҧ෤¹Ô¤
¹éÓ˹ѡ 12.2 ¡¡. (26.89»Í¹´ì)
¢¹Ò´¤ÇÒÁ¡ÇéÒ§ x ÂÒÇx ÊÙ§ 32.4x29.7x38 «Á.
ÂèÒ¹¤ÇÒÁ¶ÕèµÍºÊ¹Í§ 50 Hz to 20 kHz (+/-3dB)
ÅÓ⾧ 1 ¹ÔéÇ dome tweeter áÅÐ ÅÓ⾧ 8 ¹ÔéÇ woofer
â¤Ã§ÊÃéÒ§·Ó¨Ò¡äÁé Plywood
ªèͧÊÑ­­Ò³¢Òà¢éÒÍÔÊÃÐ 5 ªèͧ
ªèͧÊÑ­­Ò³·Õè 1 à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ. ªèͧÊÑ­­Ò³·Õè 2 áÅÐ 3 à»ç¹áººËÑÇàÊÕºẺ XLR balanced
ªèͧÊÑ­­Ò³·Õè 4 à»ç¹áººËÑÇàÊÕºẺ 3.5 ÁÁ. stereo
ªèͧÊÑ­­Ò³·Õè 5 ÁÕ 2 ªèͧ à»ç¹áººËÑÇàÊÕºẺ unbalanced 6.3 ÁÁ.
ªèͧÊÑ­­Ò³¢ÒÍÍ¡ÁÕ 3 ªèͧà»ç¹áºº DI, LINE, AUX
ÁÕ»ØèÁ Phantom Power 10 âÇÅµì º¹ªèͧÊÑ­­Ò³ 1, 24 âÇŵì áÅÐ 10 âÇÅµì º¹ªèͧÊÑ­­Ò³·Õè 2 , 24 âÇÅµì º¹ 3 ªèͧÊÑ­­Ò³
ÁÕ»ØèÁ Effect Digital reverb ¾ÃéÍÁ Delay
Preamp Class-A
ÀÒ¤¢ÂÒÂàÊÕ§·¹¡ÓÅѧ¢Ñº 200 Çѵµì Bi-amplifie
Preamp Class-A
ÀÒ¤¢ÂÒÂàÊÕ§·¹¡ÓÅѧ¢Ñº 200 Çѵµì Bi-amplified


ÃÒ¤Ò : 60,000
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ÃÒ¤Ò¢ÒÂ :
57,350


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