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ªØ´Ãͧ¤Ò§äÇâÍÅÔ¹ Josef Teller ÃØè¹ Teka
ÂÕèËéÍ: Josef Teller
ÃËÑÊ: PCS18
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ªØ´Ãͧ¤Ò§äÇâÍÅÔ¹ Josef Teller ÃØè¹ Teka
äÁé Ebony ¾ÃéÍÁ¢ÒÃÑ´·Ó¨Ò¡ÇÑÊ´Ø ABS ¢¹Ò´ 3/4 - 4/4
¤ÇÒÁ¡ÇéÒ§¢Ò : 40 mm.
Space : 34 mm.
Barrel Length : 27 mm. |
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Ãͧ¤Ò§äÇâÍÅÔ¹/ÇÔâÍÅÒ Pirastro ÃØè¹ KorfkerSpring
ÂÕèËéÍ: Pirastro
ÃËÑÊ: PC705000
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PIRASTRO KorfkerSpring
Ãͧ¤Ò§·ÕèàºÒ·ÕèÊØ´áÅÐÂ×´ËÂØè¹·ÕèÊØ´ã¹âÅ¡
µÓáË¹è§ ¤ÇÒÁÊÙ§ ¡ÒÃËÁع áÅФÇÒÁàÍÕ§ÊÒÁÒö»ÃѺáµè§ä´éÍÂèÒ§àµçÁ·Õè ªèÇÂãËé»ÃѺáµè§ä´éÍÂèÒ§¤Ãͺ¤ÅØÁ Áͺ¡ÒþѲ¹Ò·Õè¹èÒ·Öè§ã¹´éÒ¹¡ÒÃàÅè¹ ¤ÇÒÁà·Õ觵ç¢Í§àÊÕ§ áÅЪèǧ䴹ÒÁÔ¡
Ê»ÃÔ§ 6 µÑÇã¹µÑÇ ªèÇÂãËé»ÃѺ¤ÇÒÁÊÙ§ä´éµÑé§áµè 25 ¶Ö§ 50 ÁÁ. â´Âà¾ÔèÁ·ÕÅÐ 5 ÁÁ.
ãËéÍÔÊÃÐ㹡ÒÃà¤Å×è͹äËÇáÅФÅÒ¤ÇÒÁµÖ§¢Í§Êèǹº¹¢Í§ÃèÒ§¡ÒÂ
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¼ÅÔµ¨Ò¡ÇÑʴؤسÀÒ¾ÊÙ§·Õè»ÃѺáµè§àÊÕ§ä´é ¹éÓ˹ѡà¾Õ§ 15 ¡ÃÑÁ
á¼è¹¤Ò§¢Öé¹ÃÙ»¨Ò¡äÁéàÁà»ÔéÅÊÇÔʪغá¢ç§
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Maple 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS001
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Maple 32 ÁÁ.
Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Maple 32 ÁÁ.
Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Maple ¤ÇÒÁÊÙ§ 32 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Maple 35 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS002
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Maple 35 ÁÁ.
Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Maple ¤ÇÒÁÊÙ§ 35 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Pear 35 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS003
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Pear ¤ÇÒÁÊÙ§ 35 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Walnut 35 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS004
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Ãͧ¤Ò§äÇâÍÅԹẺ¢Òà´ÕèÂÇ SAS ·Ó¨Ò¡äÁé walnut ¤ÇÒÁÊÙ§ 35 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Rose wood 35 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS005
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Ãͧ¤Ò§äÇâÍÅԹẺ¢Òà´ÕèÂÇ SAS ·Ó¨Ò¡äÁé Rose wood ¤ÇÒÁÊÙ§ 35 ÁÁ. ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Ebony ¤ÇÒÁÊÙ§ 35 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS006
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Ebony ¤ÇÒÁÊÙ§ 35 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Rose wood 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS007
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Ãͧ¤Ò§äÇâÍÅԹẺ¢Òà´ÕèÂÇ SAS ·Ó¨Ò¡äÁé rosewood ¤ÇÒÁÊÙ§ 32 ÁÁ. ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Ebony wood 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS008
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Ebony ¤ÇÒÁÊÙ§ 32 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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