Bravo Music everthing for string player
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ชมรมดับเบิ้ลเบสไทย
บริการวงดนตรีสำหรับงานวิวาห์และงานโอกาสต่างๆ
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ËéͧÍÑ´àÊÕ§ BM Recording Studio ËéͧºÑ¹·Ö¡àÊÕ§¤Ø³ÀÒ¾´Õ
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ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Refractive Ground
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV11041

ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Refractive Ground
Refractive Ground deeply protects and illuminates the wood.
It is a transparent amber compound that provides a refractive index similar to wood. For that reason it enhances and highlights to the maximum the light refractive process generating an “optical effect of depth” on the wood’s surface, developing a “permanent wet effect” on the annual rings, as well as on their resinous and amorphous formations.
Its optimum penetration in the superficial layer of the wood avoids the saturation of the fibres, achieving an incomparable luminosity in depth.
ÃÒ¤Ò : 2,500
ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Classical Amber Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13011

ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Classical Amber Varnish 60 ml.
This varnish produces a beautiful, transparent, warm and resistant coating. It gives an optimum result to be combined with pigments, dyes and on glazes.
It makes the colours brighter giving depth, luminosity and incomparable solidity. It can be diluted with white spirit, turpentine and with OW Thinner (see “raw materials”).
Due to the quality of the oils used, they give the varnish excellent properties regarding levelling, drying and resistance to external agents. The physical properties of the finish will also depend on carrying out a correct curing or drying of the applied coating.
During drying, in addition to the evaporation of the solvents oxidation, oxidation reactions also occur with the oxygen in the air. This auto-oxidation is controlled in all our varnishes by a correct selection of secants that guarantee a homogeneous drying on the entire thickness of the applied coating.
We recommend drying our oil-based varnishes in an UV chamber.
ÃÒ¤Ò : 2,500
ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13021

ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Italian Varnish 60 ml.
To enhance elasticity of the varnish layer.
New formulation of the original old Italian formulas, using historical and technical research for the development.
Complete range of grounds, varnishes and colours made of carefully selected high-quality raw materials bring out the light, warmth and natural beauty of the wood, while enhancing its acoustical properties. All components are compatibel to each other.
ÃÒ¤Ò : 2,000


Usually ship in 24-48 hours
ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Brescia Brown Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13041

ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Brescia Brown Varnish 60 ml.
This varnish has very similar characteristics to the Classical Amber Varnish. However, it is processed to give a deep and transparent brown colour in the style of the classical luthiers of the Brescia school.
It offers an optimum result to be combined with pigments, dyes and on glazes, as well as to heighten the colour of earlier coats. It can be diluted with white spirit, turpentine and with OW Thinner (see “raw materials”).
ÃÒ¤Ò : 3,000


Usually ship in 24-48 hours
ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Cremona Varnish 60 ml.
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV13061

ÊÕÇÒ¹Ôª·ÒäÇâÍÅÔ¹ OldWood Cremona Varnish 60 ml.
The ingredients used in Cremona Varnish, processed thickened Spanish turpentine, Baltic burnt amber, and top quality linseed oils, all help to enhance the suppleness, resistance and elasticity properties of the varnish. The hue of the layer is somewhat lighter than that of Classical Amber Varnish, but just as warm and luminous, obtaining an even more unctuous and prolonged application and achieving excellent leveling, drying and transparency parameters. Cremona Varnish can be diluted with linseed oil, Tung oil, spirit mineral, turpentine, lavender oil or with OW Thinner.
ÃÒ¤Ò : 2,500


Usually ship in 24-48 hours
ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Weld – Indian yellow
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15011

ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Weld – Indian yellow 8 ml.
Yellow pigment very stable with a vegetable origin (reseda luteola L). A very transparent, deep and luminous yellow pigment with a touch of orange
ÃÒ¤Ò : 2,000
ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Madder Lake Brown Red
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15041

ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ
Madder Lake Brown Red 8 ml.
This is one of the most stable natural pigments, and for centuries it has been the most commonly used red dyes.
ÃÒ¤Ò : 2,500
ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Madder Lake Red
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15051

ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ
Madder Lake Red 8 ml.
It is obtained from the root of the madder, a plant belonging to the Rubiaceae family, cultivated in the Mediterranean and Middle East.
ÃÒ¤Ò : 2,100
ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Chlorophyll – Green
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15061

ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ
Chlorophyll – Green 8ml.
The pigment chlorophyll complements the red pigments that are so profusely used in string instruments, creating harmony through complementarine
ÃÒ¤Ò : 2,400
ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ Cosmos – Golden Yellow
ÂÕèËéÍ: OLD WOOD
ÃËÑÊ: VTV15071

ÊÕ·ÒäÇâÍÅÔ¹ª¹Ô´¹éÓÁѹ
Cosmos – Golden Yellow 8 ml.
OLD WOOD processes these complex dyes to create two golden hues. Golden Yellow is the most yellow with bright orange tones.
ÃÒ¤Ò : 2,200
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