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´ÑºàºÔÅàºÊ Emanuel Wilfer ÃØè¹ Bavaria ·Ã§ Violin ¢¹Ò´Áҵðҹ
ÂÕèËéÍ: Emanuel Wilfer
ÃËÑÊ: DB6325
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´ÑºàºÔÅàºÊ Emanuel Wilfer ÃØè¹ Bavaria ·Ã§ Violin
Elegant violin shape
Well-selected German spruce top
Flamed German maple for the back and sides
German maple neck with ebony fingerboard
Rubner machines
Dark brown spirit varnish make for the great bass at a great price
·Óâ´ÂµÃСÅÙªèÒ§·Ó´ÑºàºÔÅàºÊªÒÇàÂÍÃÁѹâ´Âá·é·ÕèÊ׺·Í´¡ÃÃÁÇÔ¸Õ¡Ò÷ӴѺàºÔÅ àºÊÁÒ¡ÇèÒ 4 ÃØ蹢ͧµÅСÅÙ¼Ùé¼ÅÔµ ÁդسÅѡɳоÔàÈÉ੾ÒФ×Í ªèǧ¤ÇÒÁÅÖ¡´éÒ¹¢éÒ§¢Í§´ÑºàºÔÅàºÊÁÕ¤ÇÒÁ¡ÇéÒ§à»ç¹¾ÔàÈÉ ·ÓãËéÊÒÁÒöãËéàÊÕ§àºÊ·Õè¹ØèÁÅÖ¡ÁÕ¤ÇÒÁà»ç¹àºÊÁÒ¡¡ÇèÒ äÁéá¼è¹Ë¹éÒ·Ó¨Ò¡äÁéʹÂØâû á¼è¹ËÅѧ·Ó¨Ò¡äÁéàÁà»ÔéÅÂØâû ¼èÒ¹¡ÃÃÁÇÔ¸Õ¡ÒÃà¡çºÃÑ¡ÉÒäÁè¹éÍ¡ÇèÒ 25 »Õ ÁÕãºÃѺÃͧ¨Ò¡ªèÒ§¼Ùé¼ÅÔµ¾ÃéÍÁ»ÃзѺµÃÒÃѺÃͧ¨Ò¡·Ò§ÃéÒ¹
Specifications
Upper Bout: 50.5 cm.
C Bout: 39 cm.
Lower Bout: 64.5 cm.
Body Length: 111.5 cm.
Ribs: 21: 22.5: 22.5 cm.
String Length: 104.5 mm.
Endoin 55 mm.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ
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´ÑºàºÔéÅàºÊ Lothar Semmlinger ÃØè¹ Swarovski ¢¹Ò´Áҵðҹ
ÂÕèËéÍ: Lothar Semmlinger
ÃËÑÊ: DB3602
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´ÑºàºÔéÅàºÊ Lothar Semmlinger ÃØè¹ Swarovski ·Ã§ Gamba ¢¹Ò´Áҵðҹ
Lothar Semmlinger was born in Langensendelbach (Germany). He soon started to learn about the construction of string instruments. After his school period and under the direction of Master Albert Lang he learnt how to building string instruments. After that, when he was still very young, he worked with Karl Hofner improving his knowledge and skills.
In 1975, when he finished his studies, he got the title of "Master Craftsman of Bow Instruments" of the craftsmen Chamber of Numberg. He worked as a master for four years in Mohrendorf in the company Dilk, and in 1980 he opened his own workshop in Baiersdorf, which is known, as well as Mittenwald for its instruments and its luthery school.
He started to build his own instruments, and continued working with Benedikt Lang, to which he was very close through his master Albert Lang. Later, in 1994 he got in charge of Benedikt Lang according to the wishes of Lang Company. He started to build high quality instruments with his two sons Stefan and Christian and two assistants.
Semmlinger's instruments are characterized for their deep acoustic pitch and their great sound power. His instruments remind of the quality of those of the old times, both in the sound and in their finish.
He has done the reproduction of "The lady of Miwa" (a jewel, replica of the famous baroque 1623 violoncello of the Italian luthier Tomaso Castelli). His latest challenge has been to use new types of wood for his instruments: Italian poplar. This wood hasn't been used in instruments before because it is softer than maple.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ
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´ÑºàºÔÅàºÊ Lothar Semmlinger ·Ã§ Gamba äÁé Poplar »Õ 2023
ÂÕèËéÍ: Lothar Semmlinger
ÃËÑÊ: DB3604
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´ÑºàºÔÅàºÊ Lothar Semmlinger ·Ã§ Gamba äÁé Poplar »Õ 2023
Lothar Semmlinger was born in Langensendelbach (Germany). He soon started to learn about the construction of string instruments. After his school period and under the direction of Master Albert Lang he learnt how to building string instruments. After that, when he was still very young, he worked with Karl Hofner improving his knowledge and skills.
In 1975, when he finished his studies, he got the title of "Master Craftsman of Bow Instruments" of the craftsmen Chamber of Numberg. He worked as a master for four years in Mohrendorf in the company Dilk, and in 1980 he opened his own workshop in Baiersdorf, which is known, as well as Mittenwald for its instruments and its luthery school.
He started to build his own instruments, and continued working with Benedikt Lang, to which he was very close through his master Albert Lang. Later, in 1994 he got in charge of Benedikt Lang according to the wishes of Lang Company. He started to build high quality instruments with his two sons Stefan and Christian and two assistants.
Semmlinger's instruments are characterized for their deep acoustic pitch and their great sound power. His instruments remind of the quality of those of the old times, both in the sound and in their finish.
He has done the reproduction of "The lady of Miwa" (a jewel, replica of the famous baroque 1623 violoncello of the Italian luthier Tomaso Castelli). His latest challenge has been to use new types of wood for his instruments: Italian poplar. This wood hasn't been used in instruments before because it is softer than maple.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
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´ÑºàºÔÅàºÊÊÕ¢ÒÇ Nakovitz DB103 ¢¹Ò´ 5/8
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DB103
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´ÑºàºÔÅàºÊÊÕ¢ÒÇ Nakovitz DB103 ¢¹Ò´ 5/8
- Body ÊÕ¢ÒǵѴ¢ÍºÊÕ´Ó
- ËÒ§»ÅÒ áÅÐ Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé Ebony
- ÅÙ¡ºÔ´·Í§àËÅ×ͧ
- ËÂèͧäÁéàÁà»ÔÅ»ÃѺä´é
- ¾ÃéÍÁ¶Ø§ãÊèºØË¹Ò 2 «Á.
- ¹éÓ˹ѡ 10.2 ¡¡.
¾ÃéÍÁ»ÃѺáµè§ÊÓËÃѺ¡ÒÃãªé§Ò¹ä´é¨ÃÔ§
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ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ |
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´ÑºàºÔÅàºÊ Nakovitz Cutaway
ÂÕèËéÍ: Nakovitz
ÃËÑÊ: DBCA100
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´ÑºàºÔÅàºÊ Nakovitz Cutaway
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺ´ÑºàºÔÅàºÊ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡Åèͧ´ÑºàºÅàºÔÊ ÃÇÁ¶Ö§¡ÒÃÊ͹´ÑºàºÅàºÔÊ
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¡ÕµéÒÃìâ¿Åì¤ Fine Legend ÃØè¹ FG403/36 Cut Away
ÂÕèËéÍ: Fine Legend
ÃËÑÊ: GTF015
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¡ÕµéÒÃìâ¿Åì¤ Fine Legend ÃØè¹ FG403/36 Cut Away
·Ã§ Jumbo Cut Away
All Solid Wood ÁÕÍÔ¹àÅÂì½Ñè§ÅÇ´ÅÒÂÊǧÒÁ
¤ÇÒÁÂÒÇʵÃÔ§ (String Length) 650 ÁÔÅÅÔàÁµÃ
¤ÍäÁéÁÐÎÍ¡¡Ò¹Õ
Fingerboard äÁé Ebony
Handmade guitar
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10%
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ÎÒÃ커͹àÊÔÃìµ Lyon & Healy ÃØè¹ Prince William
ÂÕèËéÍ: Lyon & Healy
ÃËÑÊ: HP008
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ÎÒÃ커͹àÊÔÃìµ Lyon & Healy ÃØè¹ Prince William
¤ÇÒÁÊÙ§ : 74 1/4 ¹ÔéÇ/189 «Á.
¤ÇÒÁ¡ÇéÒ§ : 38 5/8 ¹ÔéÇ/98 «Á.
¹éÓ˹ѡ : 83 »Í¹´ì/38 ¡ÔâÅ¡ÃÑÁ
SOUNDBOARD ¡ÇéÒ§ : 21 5/8 ¹ÔéÇ/55 «Á.
ªèǧ : 47 ÊÒ (0 Oct. G - 7th Oct. C)
SOUNDBOARD : Pacific Northwest/Northern Midwest Sitka Spruce
ÊÕ : 23+ Karat Gold and Natural
Commissioned in the 1920s, the original Prince William was to be a one-of-a-kind instrument that was left unfinished due to Depression-era woes. In the 1950s an employee of Lyon & Healy personally financed its completion and named the instrument for his highly regarded harp division manager, William J. Parks. The Prince William’s sound is true Lyon & Healy: clear and resonant with carrying ability. With a mahogany finish, bunches of 23+ karat gilded roses drape from the top of the crown and swirl the base, enhancing its regal appearance. A double Rosewood inlay complements the solid Sitka Spruce soundboard. The hand-painted soundboard decoration using 23+ karat gold leaf features a bouquet of flowers set in an elaborate vase surrounded by trellised vines and ribbon. As a Lyon & Healy Special Instrument, the Prince William comes with a unique miniature etching of a Lyon & Healy concert grand action plate design on the inside of the soundboard, a richly engraved, previously retired front action plate as well as an engraved back plate, a transport cover set and an extended 10-year limited warranty.
ÃҤҴѧ¡ÅèÒÇà»ç¹à¾Õ§ÃÒ¤Òâ´Â»ÃÐÁÒ³¢Öé¹ÍÂÙè¡ÑºÍѵÃÒáÅ¡à»ÅÕè¹áÅФèÒ¢¹Êè§ã¹áµèÅÐÄ´Ù¡ÒÅ |
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ÎÒÃì» Salvi ÃØè¹ IRIS Special Gilded Harp with NEW Sound Board
ÂÕèËéÍ: Salvi
ÃËÑÊ: HP025
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ÎÒÃì» Salvi ÃØè¹ IRIS Special Gilded Harp with NEW Sound Board
This majestic harp is finely sculpted and glows in the light of 23-carat gold. A resounding timbre and captivating aesthetics make this prestigious Salvi harp the ideal instrument for orchestras and discerning soloists. A limited edition work of art, unique and inimitable.
A delicate bouquet of roses adorns the ornate column of this majestic harp.
Height: 73.5
Width: 39.5 inches
Weight: 90 lbs
Soundboard Width: 22 inches.
Range: 47 Strings (00G- 7C)
Soundboard: Fiemme Valley Red Spruce
Finishes: 23 kt gold; rosewood, walnut or curly maple
ÃҤҴѧ¡ÅèÒÇà»ç¹à¾Õ§ÃÒ¤Òâ´Â»ÃÐÁÒ³¢Öé¹ÍÂÙè¡ÑºÍѵÃÒáÅ¡à»ÅÕè¹áÅФèÒ¢¹Êè§ã¹áµèÅÐÄ´Ù¡ÒÅ |
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ÎÒÃì» Salvi ÃØè¹ Minerva Gilded Special Harp with NEW Sound Board
ÂÕèËéÍ: Salvi
ÃËÑÊ: HP026
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ÎÒÃì» Salvi ÃØè¹ Minerva Gilded Special Harp with NEW Sound Board
The dream of every harpist, this jewel of Salvi craftsmanship is enriched with 23-carat gold leaf decorations. Its aesthetic perfection only serves to enhance its full-bodied and vigorous sound, perfect for orchestras and performers who demand the best instruments to enchant audiences worldwide.
Height: 74.5
Width: 39.5 inches
Weight: 91 lbs
Soundboard Width: 22 inches.
Range: 47 Strings (00G- 7C)
Soundboard: Fiemme Valley Red Spruce
Finishes: 23 kt gold; rosewood or walnut
ÃҤҴѧ¡ÅèÒÇà»ç¹à¾Õ§ÃÒ¤Òâ´Â»ÃÐÁÒ³¢Öé¹ÍÂÙè¡ÑºÍѵÃÒáÅ¡à»ÅÕè¹áÅФèÒ¢¹Êè§ã¹áµèÅÐÄ´Ù¡ÒÅ |
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ÎÒÃì» Salvi ÃØè¹ IRIS Natural without gold
ÂÕèËéÍ: Salvi
ÃËÑÊ: HP027
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ÎÒÃì» Salvi ÃØè¹ IRIS Natural without gold
This majestic harp is finely sculpted. A resounding timbre and captivating aesthetics make this prestigious Salvi harp the ideal instrument for orchestras and discerning soloists. A work of art, unique and inimitable.
A delicate bouquet of roses adorns the ornate column of this majestic harp.
Height: 73.5
Width: 39.5 inches
Weight: 90 lbs
Soundboard Width: 22 inches.
Range: 47 Strings (00G- 7C)
Soundboard: Fiemme Valley Red Spruce
Finishes: Rosewood, Walnut or Curly Maple
ÃҤҴѧ¡ÅèÒÇà»ç¹à¾Õ§ÃÒ¤Òâ´Â»ÃÐÁÒ³¢Öé¹ÍÂÙè¡ÑºÍѵÃÒáÅ¡à»ÅÕè¹áÅФèÒ¢¹Êè§ã¹áµèÅÐÄ´Ù¡ÒÅ |
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