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äÇâÍÅÔ¹ Marcello Villa ·Ã§ Stradivari 1709 Greffuhle Model AD. 2014
ÂÕèËéÍ: Marcello Villa
ÃËÑÊ: VN5027
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äÇâÍÅÔ¹ Marcello Villa ·Ã§ Stradivari 1709 Greffuhle Model AD. 2014
Top: selected Italian Spruce
Back & Side: Bosnian Maple
Fingerboard decorate with Maple and Ebony
Inlaid with Ebony
Modern neck
Marcello Villa was born in Monza in 1965, and lives and works in Cremona. He began studing the violin when he was twelve, later enrolling in th International School of Violin-making in Cremona.
He graduated in 1983 under the guidance of Giorgio Scolari and Stefano Conia, obtaining the highest possible merit in his final year, a scholarship from the Walter Stauffer Foundation.
Apprenticing in the prestigious shop of Stefano Conia, he was able to broaden his experience and soon began to participate in violin making competitions, receiving his first awards.
Eventually, Marcello Villa was awarded the following prizes:
- finalist in the Poznan Competition (1986)
- gold medal at the Bagnacavallo Young Violinmaker's Competition (1986)
- gold medal at the Baveno Competition (1987)
- gold medal for the quartet presented in the Bagnacavallo Violinmaking Exposition (1990)
- silver medal at the 6th Violinmaking Triennal in Cremona (1991)
- two gold medals for violin and cello in the Bagnacavallo Exposition (1992).
Marcello Villa makes violins, violas and cellos, particularly favouring Stradivarian models.
All instruments have a certificate of authenticity with colour photographs and accurate description of the instrument.
His instruments distinguish themselves for many reasons: quality of materials utilised, precision and personality of the workmanship, varnish quality and color, and fine acoustics. Basing his work upon the classical line of violin-making, he builds his instruments applying his personality and taste in every small detail: the f-holes, the varnish, the cutting of the scroll.
For many years he has been dedicated to the reproduction of classical Italian instruments. He has made copies of instruments by Andrea Amati, Nicola Amati, Andrea Guarneri, Francesco Ruggeri, Guarneri del Ges?, Antonio Stradivari, all of which have been particularly appreciated in the U.S.A., Germany and Japan.
Baroque-specialised musicians have shown great interest in his period instruments: viola d'amore, viola da gamba, pochette, lira da braccio, baroque violin, baroque viola, baroque cello.
His main interest, however, which began to emerge during the first formative years of his career, is the reproduction of Stradivarian inlaid instruments, which he believes to be the quintessence of artistic and technical perfection.
From 1983, the year in which he built his first inlaid violin, preserved in the museum of the International School of Violin-making in Cremona, and until the present day, he has made copies of the Hellier, Ole Bull, Sunrise, Cipriani Potter, Rode, Greffhule violins and of the Spanish and Axelrod violas. His own personal violin is an accurate copy of the 1709 Greffhule inlaid Stradivari which he regularly plays in duo with his brother Vittorio or with various Cremonese musical ensembles.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marco Imer Piccinotti 2013 ·Ã§ Stradivari Birdeye Maple
ÂÕèËéÍ: Marco Imer Piccinotti
ÃËÑÊ: VN5021
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marco Imer Piccinotti 2013 ·Ã§ Stradivari Top: Italian Spruce
Back & side: Birdeye Maple
Ebony finger board and fitting
born in San Polo d'Enza (RE), Italy on 25/04/1962
Awards:
1989 (Baveno - Italy) violin: award for the best sound.
1993 (Baveno - Italy) violin: CCIAA award
1995 (Baveno ?- Italy) cello: bronze medal.
1995 (Bagnacavallo - Italy) violin: bronze medal.
1995 (Poznan - Poland) violin: award for the best style and character of the work.
2003 (Modena - Italy): diploma and medal of excellence for the instruments made.
Associations:
Founder member and current chairman of the "Liuteria Parmense".
Founder member of "Liutai Milanesi Contemporanei" .
Member of the V.S.A. (Violin Society of America).
Teaching:
1997/1998 – restoration andof stringed instruments at the “Scuola di artigianato Artisti?co del Centopievese".
1998/2001 – stringed instrument varnishing at the "Scuola Internazionale di Liuteria” in Parma.
1998/to date - stringed instrument painting at the "Civica Scuola di Liuteria" in Milan.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2011 ·Ã§ Guarneri Da Mantova
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5201
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Guarneri Da Mantova " CAMELLI" â´Â Paolo Vettori Firenze 2011
Top is Italian Sprece From Valdi Fiemme, Valley in North of Italy. One Piece back from Bosnian Maple very fine ,Slap cut with very strong deep large flamm.
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2012 ·Ã§ Niccolo Gagliano Napoli 1755
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5202
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Niccolo Gagliano Napoli 1755 â´Â Paolo Vettori Firenze, 2012
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2014 ·Ã§ Guarneri Dal Gesu
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5205
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2014 ·Ã§ Guarneri Dal Gesu
Top: Old Italian Spruce
Back & Side: Bosnia
Formula Stefanini Varnish
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Sofia Vettori 2013 ·Ã§ Carlo Testore Milano 1752
ÂÕèËéÍ: Sofia Vettori
ÃËÑÊ: VN5022
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Sofia Vettori 2013 ·Ã§ Carlo Testore Milano 1752
" Nodo Serpente "
Top: Italian Spruce
Back & Side: Italian Maple
Formula Stefanini Varnish
ʹã¨Êͺ¶ÒÁÃÒÂÅÐàÍÕ´ÊÔ¹¤éÒáÅÐÊèǹŴ¾ÔàÈÉâ·Ã 082-8246699
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹ Sofia Vettori 2011 ·Ã§ Giuseppe Guarneri del Gesu 1743 Libeccio
ÂÕèËéÍ: Sofia Vettori
ÃËÑÊ: VN5203
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Giuseppe Guarneri del Gesu 1743 ispirato Al CANNONE Di Paganni "Libeccio" â´Â Sofia Vettori Firanze 2011
Top: Italian Spruce
Back & Side: Italian Maple
Formula Stefanini Varnish
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Emperor) AD. 2013
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5028
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äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Emperor) AD. 2013 (S.Guglielmo)
Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Cremonese) AD. 2014
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5029
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äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Cremonese) AD. 2014 (Ciclamino)
Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ Stefano Conia äÁéà¡èÒ AD. 2014
ÂÕèËéÍ: Stefano Conia
ÃËÑÊ: VN5035
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äÇâÍÅÔ¹ Stefano Conia ·Ã§ Stradivari 1715 (Cremonese) AD. 2014 (GUY)
Stefano Conia was born in Hungary on the 10th January 1946. When young he began studying the violin and became interested in violin-making following the example of his father who has a diploma from the International School of Violin making in Cremona.
After finishing high school and his violin studios in Hungary, he moved to Italy and attended the International Violin-making School in Cremona from 1968 until studying with Maestro Sgarabotto, Maestro Morassi and Maestro Bissolotti.
He returned to the School as a , teacher of school of Violin Making of Cremona for over 20 years, first as expert in varnish and restoration, then also to teach construction as well.
In his workshop, in the heart of the city of Cremona makes his instruments inspired by the models of the classical makers and later using various personal models.
In making his instruments he uses carefully chosen aged wood. The shape and arching are classical and the varnish intense. Each piece of every violin is carefully controlled and perfected according to it’s acoustic function. Each instruments has it’s own certificate and guarantee.
Maestro Conia has been awarded many prizes in national and international competitions.
His instruments are recognized and appreciated throughout the world. He is member and founder of the italian association of Violin-makers (ALI) and the European Association (AEL). More detailed information can be found in the Strad magazine of 1976-77-78, in “La Bottega dei Miracoli” Ed. Stradivari 1982, “Liutai Italiani di ieri e di oggi”, Arte Liutaria di GioBatta Morassi 1984 and 2000, Dictionnaire Universel des Luthiers 1985, L?tgendorf: Die Geigen und Lautenmacher 1990, A.L.I. Book of Professional Makers 1994 and 2000, Cremonese Violin-Makers of the Late 20th Century of Yasuno Toshitake.
If you are interested in Maestro Conia's instruments valuation please contact action houses such as:
Sothebys - Philips - Bongards - Christie's
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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