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ÇÔâÍÅÒ Lothar Semmlinger ÃØè¹ Neuschwan Solo
ÂÕèËéÍ: Lothar Semmlinger
ÃËÑÊ: VA1900
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ÇÔâÍÅÒ Lothar Semmlinger ÃØè¹ Neuschwan Solo
¼ÅÔµã¹»Õ 2013 à»ç¹ Master viola made of the best selected and well-seasoned sounding wood, with oil varnish very best quality and handwork, finest hand-varnishing and finally setup by Lothar Semmlinger
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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ÇÔâÍÅÒ L.Semmlinger Elbe ¢¹Ò´ 16 ¹ÔéÇ
ÂÕèËéÍ: Lothar Semmlinger
ÃËÑÊ: VA726
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ÇÔâÍÅÒ L.Semmlinger Elbe ·Ã§ Stradivari Oil Vanish 16 ¹ÔéÇ
·Óâ´Â Lothar Semmlinger fine instruments made of best selected sounding wood fine hand varnished only with pegs and botton.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺÇÔâÍÅèÒ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Prelude ¢¹Ò´ 16 ¹ÔéÇ
ÂÕèËéÍ: Ming Jiang Zhu
ÃËÑÊ: VA918S
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Prelude ¢¹Ò´ 16 ¹ÔéÇ
·Ã§ Strad
Ming Jiang Zhu, a highly acclaimed maker, has won numerous awards at international competitions. Of note, are the two gold medals won for violin at the prestigious Violin Society of America. His instruments are known for easy playability and superior response.
Made with European tonewoods, the Prelude Model is exceptional for its beautiful tone, excellent depth, and tonal complexity. Top is spruce with fine to medium grain. Two piece maple back, nicely flamed. Ribs and scroll similar to back. Finished in an attractive antiqued oil varnish of a red-brown on a yellow ground.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Prelude ·Ã§ Tertis ¢¹Ò´ 16 ¹ÔéÇ
ÂÕèËéÍ: Ming Jiang Zhu
ÃËÑÊ: VA918T
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Prelude ·Ã§ Tertis ¢¹Ò´ 16 ¹ÔéÇMing Jiang Zhu, a highly acclaimed maker, has won numerous awards at international competitions. Of note, are the two gold medals won for violin at the prestigious Violin Society of America. His instruments are known for easy playability and superior response.
Made with European tonewoods, the Prelude Model is exceptional for its beautiful tone, excellent depth, and tonal complexity. Top is spruce with fine to medium grain. Two piece maple back, nicely flamed. Ribs and scroll similar to back. Finished in an attractive antiqued oil varnish of a red-brown on a yellow ground.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Sonata ¢¹Ò´ 16 ¹ÔéÇ
ÂÕèËéÍ: Ming Jiang Zhu
ÃËÑÊ: VA920S
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Sonata ¢¹Ò´ 16 ¹ÔéÇ
Ming Jiang Zhu was awarded the Gold Medal for Violin in 2006 & 2008 from the Violin Society of America. Varnished with an attractive antiqued oil varnish of a russet pigment on a yellow ground. Crafted from beautiful tonewoods and produces a full and compelling tone. Fitted with heart style boxwood fittings.
Ming Jiang Zhu, a highly acclaimed maker, has won numerous awards at international competitions. Of note, are the two gold medals won for violin at the prestigious Violin Society of America. His instruments are known for easy playability and superior response.
Made with European tonewoods, the Prelude Model is exceptional for its beautiful tone, excellent depth, and tonal complexity. Top is spruce with fine to medium grain. Two piece maple back, nicely flamed. Ribs and scroll similar to back. Finished in an attractive antiqued oil varnish of a red-brown on a yellow ground.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Cadenza ¢¹Ò´ 16.5 ¹ÔéÇ
ÂÕèËéÍ: Ming Jiang Zhu
ÃËÑÊ: VA925S
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Cadenza ¢¹Ò´ 16.5 ¹ÔéÇ
¹éÓ˹ѡ 600 ¡ÃÑÁ
¾ÃéÍÁ㺠Certificate ÃѺÃͧâ´Â Ming Jiang Zhu ¢Í§á·éµéͧÁÕÃÙ»¶èÒÂäÇâÍÅԹ˹éÒËÅѧ
Ming Jiang Zhu, a highly acclaimed maker, has won numerous awards at international competitions. Of note, are the two gold medals won for violin at the prestigious Violin Society of America. His instruments are known for easy playability and superior response.
Made with European tonewoods, the Cadenza Model is exceptional for its beautiful tone, excellent depth, and tonal complexity. Top of European spruce with fine to medium grain. Two piece European maple back, nicely flamed. Ribs and scroll similar to back. Finished in an attractive antiqued oil varnish of a red-brown on a yellow ground.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺÇÔâÍÅèÒ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Cadenza ¢¹Ò´ 16 ¹ÔéÇ ·Ã§ Tertis
ÂÕèËéÍ: Ming Jiang Zhu
ÃËÑÊ: VA925T
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ÇÔâÍÅÒ Ming Jiang Zhu ÃØè¹ Cadenza ¢¹Ò´ 16 ¹ÔéÇ ·Ã§ Tertis
¾ÃéÍÁ㺠Certificate ÃѺÃͧâ´Â Ming Jiang Zhu ¢Í§á·éµéͧÁÕÃÙ»¶èÒÂäÇâÍÅԹ˹éÒËÅѧ
Ming Jiang Zhu, a highly acclaimed maker, has won numerous awards at international competitions. Of note, are the two gold medals won for violin at the prestigious Violin Society of America. His instruments are known for easy playability and superior response.
Made with European tonewoods, the Cadenza Model is exceptional for its beautiful tone, excellent depth, and tonal complexity. Top of European spruce with fine to medium grain. Two piece European maple back, nicely flamed. Ribs and scroll similar to back. Finished in an attractive antiqued oil varnish of a red-brown on a yellow ground.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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ÇÔâÍÅÒ N.Narway ·Ã§ Strad 16 ¹ÔéÇ
ÂÕèËéÍ: N.Narway
ÃËÑÊ: VA400
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ÇÔâÍÅÒÊÕäÁéà¡èÒÊÕ¹éÓµÒŷͧ àÊÕ§´ÕÁÒ¡ àËÁÒÐÊÓËÃѺÁ×ÍÍÒªÕ¾¾ÃéÍÁÊÒ D'Addario Helicore Copy Antonius Stradiuarius Faciebat Anno 1763
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺÇÔâÍÅèÒ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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ÇÔâÍÅÒ Paolo Vettori ·Ã§ Pietro Guarneri da Venezia ¢¹Ò´ 41.5 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7001
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ÇÔâÍÅÒ Paolo Vettori ·Ã§ Pietro Guarneri da Venezia ¢¹Ò´ 41.5 «Á.
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari Mahler ¢¹Ò´ 42 «Á.
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VA7002
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ÇÔâÍÅÒ Paolo Vettori ·Ã§ Stradivari "Mahler" ¢¹Ò´ 42 «Á. ÊÓËÃѺ ʶҺѹ´¹µÃÕ¡ÑÅÂÒ³ÔÇѲ¹Ò PGVIM
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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