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| ¾º¢éÍÁÙÅ·Ñé§ËÁ´1889 ÃÒ¡Òà |
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äÇâÍÅԹ俿éÒ Ted Brewer ÃØè¹ Vivo 2 Green
ÂÕèËéÍ: Ted Brewer
ÃËÑÊ: EVN011
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äÇâÍÅԹ俿éÒ Ted Brewer ÃØè¹ Vivo 2 Green
A revolution in sound
The Vivo?’s sound is one of its best features, thanks to the advanced TBV audio system which gives you:
A piezo charge pick-up
A digitally-controlled analogue charge amplifier
Separate headphone output socket
Electronic tuning mode for ‘A’ string
Easy operation, using standard ? inch jack leads
A PP3 battery (unless shipping restrictions apply)
On/off switch
A violin you can really work with
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅԹ俿éÒ Ted Brewer ÃØè¹ Vivo 2 Black
ÂÕèËéÍ: Ted Brewer
ÃËÑÊ: EVN012
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äÇâÍÅԹ俿éÒ Ted Brewer ÃØè¹ Vivo 2 Black
A revolution in sound
The Vivo?’s sound is one of its best features, thanks to the advanced TBV audio system which gives you:
A piezo charge pick-up
A digitally-controlled analogue charge amplifier
Separate headphone output socket
Electronic tuning mode for ‘A’ string
Easy operation, using standard ? inch jack leads
A PP3 battery (unless shipping restrictions apply)
On/off switch
A violin you can really work with
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅԹ俿éÒ Ted Brewer ÃØè¹ Vivo 2 AIR
ÂÕèËéÍ: Ted Brewer
ÃËÑÊ: EVN013
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äÇâÍÅԹ俿éÒ Ted Brewer ÃØè¹ Vivo 2 AIR
A revolution in sound
The Vivo?’s sound is one of its best features, thanks to the advanced TBV audio system which gives you:
A piezo charge pick-up
A digitally-controlled analogue charge amplifier
Separate headphone output socket
Electronic tuning mode for ‘A’ string
Easy operation, using standard ? inch jack leads
A PP3 battery (unless shipping restrictions apply)
On/off switch
A violin you can really work with
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅԹ俿éÒ YAMAHA ÃØè¹ YEV-104 4 ÊÒ Natural Wood
ÂÕèËéÍ: YAMAHA
ÃËÑÊ: EVNYEV104
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äÇâÍÅԹ俿éÒ YAMAHA ÃØè¹ YEV-104 4 ÊÒ Natural Wood
Wood -maple, rosewood, spruce, mahogany, walnut and ebony--that add to the overall organic appearance and tone of the violin
Passive output- No batteries, no headphones, no pre-amps necessary.
Yamaha dual piezo pickup bridge
Standard 1/4-inch jack
Circuit breaker button for muting
4-string model available in two different wood options! (Natural Wood)
¤ÇÒÁ¡ÇéÒ§ : 204mm
¤ÇÒÁÊÙ§ : 592mm
¤ÇÒÁÅÖ¡ : 111mm
¹éÓ˹ѡ : approx. 550 g
µÑÇà¤Ã×èͧ¢¹Ò´ : 4/4
µÑÇà¤Ã×èͧ Spruce/Mahogany/Maple
¢éÒ§ / ¡Ãͺ : Walnut
¤Í : Maple
¿Ô§à¡ÍÃìºÍÃì´ : Rosewood
ºÃÔ´¨ì : Maple with built-in Piezo-electric Pickup
ÅÙ¡ºÔ´ : Ebony
ËÒ§»ÅÒ : Synthetic Resin (equipped with fine tuners)
·ÕèÃͧ¤Ò§ : Ebony
ÊÒÂ : D’Addario Zyex
*ÃÒÂÅÐàÍÕ´´Õ䫹ì / ÃÙ»Åѡɳì*
Ãкº Pick Up : Bridge w/ Built-in Piezo-electric Pickup
*Functions*
Controls : Volume Control, Selector Switch (Volume Control activation switch)
Storage and Connectivity
Output : Passive Output (phi 6.3 Standard Monaural)
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅԹ俿éÒ YAMAHA ä«àŹ·ì ÃØè¹ YSV-104 ÊÕ¹éÓµÒÅ
ÂÕèËéÍ: YAMAHA
ÃËÑÊ: EVNYSV104BR
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äÇâÍÅԹ俿éÒ YAMAHA ä«àŹ·ì ÃØè¹ YSV-104 ÊÕ¹éÓµÒÅ
- µÑÇà¤Ã×èͧ·Ó¨Ò¡äÁéÊ»ÃÙê«
- Êèǹ¢éÒ§·Ó¨Ò¡¾ÅÒʵԡ
- ¢¹Ò´ 208 x 583 x 111 ÁÁ.
- ¹éÓ˹ѡ 490 ¡ÃÑÁ
- ¤Í·Ó¨Ò¡äÁéàÁà»ÔéÅ
- Fingerboard ·Ó¨Ò¡äÁé Rosewood
- ÅÙ¡ºÔ´¢Ñ¹ÊÒ·ӨҡäÁéÍÕ⺹Õè
- Bridge ·Ó¨Ò¡äÁéàÁà»ÔéÅ ÁÕ»Ôê¡ÍѾµÔ´áºº Built-in
- Tailpiece Êèǹ»ÅÒÂÂÖ´ÊÒ·ӨҡàëԹÊѧà¤ÃÒÐËì ÊÒÁÒöµÑé§ÊÒÂä´éã¹µÑÇ
- Chinrest ·Ó¨Ò¡¾ÅÒʵԡ
- ÊÒÂ D’Addario Zyex
- »Ôê¡ÍѾà»ç¹áºº Piezo
- ἧ¤Í¹â·ÃÅÁÕ»ØèÁâÇÅØèÁáÅÐÊÇÔ·ªìàÅ×Í¡«ÒÇ´ìẺ Room ËÃ×Í Hall
- àª×èÍÁµèÍä´é·Ñé§ Aux-in áÅÐ â·ÃÈѾ·ìẺ Mini Jack
- ãªé¶èÒ¹¢¹Ò´ AA 1.5 âÇÅ·ì 2 ¡é͹
- ¶èҹẺ Alkaline ÊÒÁÒöÍÂÙèä´é¶Ö§ 29 ªÁ. ¶èÒ¹¸ÃÃÁ´ÒÍÂÙèä´é¹Ò¹ 24 ªÁ.
- ÍØ»¡Ã³ìá¶Áà»ç¹ Ëٿѧ, ÊÒÂà¤àºÔéÅ 2 àÊé¹ áÅÐ ¡Åèͧ¤Çº¤ØÁ |
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ͤÙʵԡ¾ÃÕáÍÁ»ì YELLOW SINGLE Class-A
ÂÕèËéÍ: Schertler
ÃËÑÊ: EPP03
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¾ÃÕáÍÁ»ì YELLOW SINGLE Class-A
has been developed with purpose of improving design and performances of the previous Pre-A series preamplifier and offering to the musician all that can be necessary for his needs.
Yellow Single offers:
•modern and sophisticated design, build in a robust and light aluminum case.
•maximum two input channels for all kind of microphones and pick-ups.
•maximum four output lines with multiple connections
•headphones output
•send & return for effect loop
•four band EQ and extra dedicated filters on the main channel to ensure wide range of tonal controls and maximum flexibility.
•hi-end pure class A electronics for the best possible sound performance
Every single section has been thought and engineered to ensure the maximum potential from any kind of sound source.
5 REASONS TO OWN ONE
1.ideal for live without amps
2.impressive sound quality
3.many options
4.integrated notch filter
5.user friendly |
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ͤÙʵԡ¾ÃÕáÍÁ»ì YELLOW BLENDER Class-A
ÂÕèËéÍ: Schertler
ÃËÑÊ: EPP04
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¾ÃÕáÍÁ»ì YELLOW BLENDER ͤÙʵԡ Class-A
has been developed with purpose of improving design and performances of the previous Pre-A series preamplifiers and offering to the musician all that can be necessary for his needs.
Yellow offers:
•modern and sophisticated design, build in a robust and light aluminum case.
•maximum three input channels for all kind of microphones and pick-ups
•maximum four output lines with multiple connections
•headphones output
•send&return for effect loop
•four band EQ for the two main channels to ensure wide range of tonal controls
•hi-end pure class A electronics for the best possible sound performance
Every single section has been thought and engineered to ensure the maximum potential from any kind of sound source.
5 REASONS TO OWN ONE
1.ideal for live without amps
2.impressive sound quality
3.many options
4.integrated notch filter
5.user friendly |
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äÁ¤ìÅÍÂÊÓËÃѺ᫡â«â¿¹áÅÐà¤Ã×èͧà»èÒ ACEMIC ÃØè¹ PR-8/ST-1
ÂÕèËéÍ: ACEMIC
ÃËÑÊ: EPR8ST1
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äÁ¤ìÅÍÂÊÓËÃѺ᫡â«â¿¹áÅÐà¤Ã×èͧà»èÒ ACEMIC ÃØè¹ PR-8/ST-1
à»ç¹äÁ¤ì·Õèä´éÃѺ¤ÇÒÁ¹ÔÂÁ·ÑèÇâÅ¡ ·ÕèÁըشà´è¹ËÅÒÂÍÂèÒ§·ÕèᵡµèÒ§¨Ò¡äÁ¤ìá«¡â«â¿¹ÂÕèËéÍÍ×è¹
1.á¢ç§áç ·¹·Ò¹
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3.ÊÒÁÒöÃѺÊÑÒ³ä´éä¡Å¶Ö§ 100 àÁµÃ
4.ÊÒÁÒöÂéÒ¤Å×è¹ÊÑÒ³ ä´éÁÒ¡¶Ö§ 100 ¤Å×è¹
5.ÃÒ¤Ò¶Ù¡ ¤Ø³ÀÒ¾´Õ
6.¡ÃзѴÃÑ´ ¾¡¾Òä´éÊдǡ ´éÇ¢¹Ò´·ÕèàÅç¡ áÅÐàºÒ
7.äÁèµéͧàÊÕº俿éÒ ÊÒÁÒöãÊè¶èÒ¹ áÅÐãªéä´é¹Ò¹ 6-10 ªÑèÇâÁ§
8.ÁÕä¿àµ×͹àÇÅÒ·ÕèẵàµÍÃÕè¨ÐËÁ´ ã¹Ë¹éÒ¨ÍáÊ´§¼Å
9.ÊÑÒ³ UHF «Öè§à»ç¹ÊÑÒ³·ÕèÁÕ¤ÇÒÁà·Õ觵ç㹡ÒÃÃѺ-Êè§
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍá«¡â«â¿¹¡Ñº·Ò§ÃéÒ¹ ¨Ðä´éÃѺÊèǹŴ㹡Òë×éÍ Acemic Microphone Wireless ã¹ÃÒ¤Ò¾ÔàÈÉ |
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