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| ¾º¢éÍÁÙÅ·Ñé§ËÁ´1356 ÃÒ¡Òà |
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Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Pear wood 35 ÁÁ. |
| ÂÕèËéÍ: SAS |
| ÃËÑÊ: PCS28 |
Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Pear wood 35 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Pear wood 32 ÁÁ. |
| ÂÕèËéÍ: SAS |
| ÃËÑÊ: PCS29 |
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Pear wood 32 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Walnut wood 24 ÁÁ. |
| ÂÕèËéÍ: SAS |
| ÃËÑÊ: PCS30 |
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Walnut wood 24 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Rosewood 28 ÁÁ. |
| ÂÕèËéÍ: SAS |
| ÃËÑÊ: PCS31 |
Ãͧ¤Ò§ÇÔâÍÅèÒ SAS Rosewood 28 ÁÁ.
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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