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| ¾º¢éÍÁÙÅ·Ñé§ËÁ´4950 ÃÒ¡Òà |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Ebony wood 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS008
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Ebony ¤ÇÒÁÊÙ§ 32 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Walnut wood 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS009
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Walnut ¤ÇÒÁÊÙ§ 32 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Pear wood 32 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS010
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Pear ¤ÇÒÁÊÙ§ 32 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Rose wood 28 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS011
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Ãͧ¤Ò§äÇâÍÅԹẺ¢Òà´ÕèÂÇ SAS ·Ó¨Ò¡äÁé rosewood ¤ÇÒÁÊÙ§ 28 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS Ebony wood 28 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS012
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé Ebony ¤ÇÒÁÊÙ§ 28 ÁÁ. New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. The importance of wood as natural material without varnish is conspicuous, while the precious metal segment is goldplated. It is therefore health-conscious, as the chin piece is in constant touch with the skin. The new chin piece is superb and ideal also because it reaches over the tail piece. This way it offers several manners of holding the instrument. It is fixed above the violin block and it could be tightly screwed in. This model of chin piece is definitely going to become popular very soon, as it is suitable for everybody, from complete beginners to leading maestros |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS walnut wood 28 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS013
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé walnut ¤ÇÒÁÊÙ§ 28 ÁÁ. New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design. |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS pear wood 28 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS014
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS ·Ó¨Ò¡äÁé pear ¤ÇÒÁÊÙ§ 28 ÁÁ. New SAS chin rest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Ebony ¤ÇÒÁÊÙ§ 24 ÁÁ.
ÂÕèËéÍ: SAS
ÃËÑÊ: PCS015
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Ãͧ¤Ò§äÇâÍÅÔ¹ SAS äÁé Ebony ¤ÇÒÁÊÙ§ 24 ÁÁ.
ÊÒÁÒö»ÃѺÁØÁàÍÕ§«éÒ - ¢ÇÒä´é àÅè¹â´ÂäÁèµéͧãªé·ÕèÃͧäËÅèÁÕËÅÒ¢¹Ò´ãËéàÅ×Í¡ãªéµÒÁ¤ÇÒÁàËÁÒÐÊÁ
New SAS chinrest is remarkable, allowing for modern playing technique without affecting the individuality of handling the instrument. Its fabrication is compact, yet perfectly elegant in
design |
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