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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Giorgio Grisales 2012 ·Ã§ Stradivari 1710
ÂÕèËéÍ: Giorgio Grisales
ÃËÑÊ: VN5013
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Giorgio Grisales ·Ã§ Stradivari 1710 Cremonae Anno Domini 2012
Top: Italian Spruce
Back & Side: Italian Maple
Oil Varnish
Born in 1963, and moved to Cremona in 1982 where he began his first approach in the art of violinmaking. In 1988 he graduated at the "International School of Violinmaking" of Cremona and has also gained his diploma in bowmaking having attended a course organized by the "Regione Lombardia". His professional training was completed when he graduated "The Civic School of Violinmaking " in Milano, for musical instrument restoration.
He lives and works in Cremona, where he opened with Edgar Russ his workshop in via Sicardo. His instruments are now well-known and appreciated worldwide and boast a large market and demand from Japan to the United States as well as in Europe. He has acquired deserved recognition in the field of restoration and actively developed his talent by specific and deepened studies based on the forms and relative works of Ferdinando Garimberti and Giuseppe Ornati.
He constructs the quartetto classico drawing inspiration from the models of the Cremonese School (Stradivari and Guarneri) as well as his own model based on and inspired by Giuseppe Ornati and Giuseppe Fiorini.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺäÇâÍÅÔ¹·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧäÇâÍÅÔ¹ ÃÇÁ¶Ö§¡ÒÃÊ͹äÇâÍÅÔ¹
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Giorgio Grisales ·Ã§ Giuseppe Onvali - Stradivariano
ÂÕèËéÍ: Giorgio Grisales
ÃËÑÊ: VN5016
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Giorgio Grisales ·Ã§ Giuseppe Onvali - Stradivariano "Sakchai Guy II"
Top: Italian Spruce
Back & Side: Italian Maple 170 Year
Oil Varnish
Born in 1963, and moved to Cremona in 1982 where he began his first approach in the art of violinmaking. In 1988 he graduated at the "International School of Violinmaking" of Cremona and has also gained his diploma in bowmaking having attended a course organized by the "Regione Lombardia". His professional training was completed when he graduated "The Civic School of Violinmaking " in Milano, for musical instrument restoration.
He lives and works in Cremona, where he opened with Edgar Russ his workshop in via Sicardo. His instruments are now well-known and appreciated worldwide and boast a large market and demand from Japan to the United States as well as in Europe. He has acquired deserved recognition in the field of restoration and actively developed his talent by specific and deepened studies based on the forms and relative works of Ferdinando Garimberti and Giuseppe Ornati.
He constructs the quartetto classico drawing inspiration from the models of the Cremonese School (Stradivari and Guarneri) as well as his own model based on and inspired by Giuseppe Ornati and Giuseppe Fiorini.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Lopo Vittori ·Ã§ Guadagnini 1755
ÂÕèËéÍ: Lapo Vettori
ÃËÑÊ: VN5200
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ G.B. Guadagnini Milano 1755 â´Â Lopo Vittori The top of violin is made of the antique italian spruce from Appenni (1684-1817) The spruce have certificate of Tuscia University in Viterbo - Italy. The Grain of spruce top was very strong medium large. It is possible to observe 0.5 cm. of very narrow growing of the tree, it mean that period was very gold.
Lapo Vettori was born in Fiesole in 1984 the third-eldest son of Paoloand the grandson of Dario, known as "il liutaio della montagna". Following in the footsteps of his eldest brother Dario II, he became involved in violin-making at an early age in his father's workshop. In addition to his high-school education, he studied the violin at the Cherubini Conservatory in Florence. When he was 18, he became a partner in the family workshop and constructed instruments with his own label. In January 2003, he passed the examination of the Commission of Professional Italian Violin-Makers presided over by G. B. Morassi, thus becoming the youngest member of the Associazione Liutaria Italiana.For the construction of his violins, he uses family models including Guarneri del Ges?, Pietro Guarneri da Mantova, Stradivari 1715, Camillo Camilli and Balestrieri; for his violas he uses the Francesco Mantegazza 1791 model from the collection from the Carlo Bisiach collection; for the violoncellos he uses the Stradivari Duport, Domenico Montagna 1733, Giuseppe Guarneri filius Andreae 1709 and other models. He has spent a considerable amount of time abroad studying and working in important violin-making workshops. Lapo’s viola model Pietro Guarneri da Venezia received the highest score for acoustics at the 2009 XII Triennale International Violin Competition ‘A Stradivari’ in Cremona.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marcello Villa 2010 ·Ã§ Stradivari
ÂÕèËéÍ: Marcello Villa
ÃËÑÊ: VN5004
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marcello Villa 2010 ·Ã§ Stradivari
Marcello Villa was born in Monza in 1965, and lives and works in Cremona. He began studding the violin when he was twelve, later enrolling in th International School of Violin-making in Cremona.
He graduated in 1983 under the guidance of Giorgio Scolari and Stefano Conia, obtaining the highest possible merit in his final year, a scholarship from the Walter Stauffer Foundation.
Apprenticing in the prestigious shop of Stefano Conia, he was able to broaden his experience and soon began to participate in violin making competitions, receiving his first awards.
Eventually, Marcello Villa was awarded the following prizes:
- finalist in the Poznan Competition (1986)
- gold medal at the Bagnacavallo Young Violinmaker's Competition (1986)
- gold medal at the Baveno Competition (1987)
- gold medal for the quartet presented in the Bagnacavallo Violinmaking Exposition (1990)
- silver medal at the 6th Violinmaking Triennal in Cremona (1991)
- two gold medals for violin and cello in the Bagnacavallo Exposition (1992).
Marcello Villa makes violins, violas and cellos, particularly favouring Stradivarian models.
All instruments have a certificate of authenticity with colour photographs and accurate description of the instrument.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ Marcello Villa 2011 ·Ã§ G.Guarneri Ex. Menuhin 1739
ÂÕèËéÍ: Marcello Villa
ÃËÑÊ: VN5005
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äÇâÍÅÔ¹ Marcello Villa Anno: 2011 ·Ã§ G.Guarneri Ex. Menuhin 1739
Marcello Villa was born in Monza in 1965, and lives and works in Cremona. He began studing the violin when he was twelve, later enrolling in th International School of Violin-making in Cremona.
He graduated in 1983 under the guidance of Giorgio Scolari and Stefano Conia, obtaining the highest possible merit in his final year, a scholarship from the Walter Stauffer Foundation.
Apprenticing in the prestigious shop of Stefano Conia, he was able to broaden his experience and soon began to participate in violin making competitions, receiving his first awards.
Eventually, Marcello Villa was awarded the following prizes:
- finalist in the Poznan Competition (1986)
- gold medal at the Bagnacavallo Young Violinmaker's Competition (1986)
- gold medal at the Baveno Competition (1987)
- gold medal for the quartet presented in the Bagnacavallo Violinmaking Exposition (1990)
- silver medal at the 6th Violinmaking Triennal in Cremona (1991)
- two gold medals for violin and cello in the Bagnacavallo Exposition (1992).
Marcello Villa makes violins, violas and cellos, particularly favouring Stradivarian models.
All instruments have a certificate of authenticity with colour photographs and accurate description of the instrument.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marcello Villa 2012 ·Ã§ Guarnieri del Jesu
ÂÕèËéÍ: Marcello Villa
ÃËÑÊ: VN5018
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marcello Villa 2012 ·Ã§ Guarnieri del Jesu
Marcello Villa was born in Monza in 1965, and lives and works in Cremona. He began studding the violin when he was twelve, later enrolling in th International School of Violin-making in Cremona.
He graduated in 1983 under the guidance of Giorgio Scolari and Stefano Conia, obtaining the highest possible merit in his final year, a scholarship from the Walter Stauffer Foundation.
Apprenticing in the prestigious shop of Stefano Conia, he was able to broaden his experience and soon began to participate in violin making competitions, receiving his first awards.
Eventually, Marcello Villa was awarded the following prizes:
- finalist in the Poznan Competition (1986)
- gold medal at the Bagnacavallo Young Violinmaker's Competition (1986)
- gold medal at the Baveno Competition (1987)
- gold medal for the quartet presented in the Bagnacavallo Violinmaking Exposition (1990)
- silver medal at the 6th Violinmaking Triennal in Cremona (1991)
- two gold medals for violin and cello in the Bagnacavallo Exposition (1992).
Marcello Villa makes violins, violas and cellos, particularly favouring Stradivarian models.
All instruments have a certificate of authenticity with colour photographs and accurate description of the instrument.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ Marcello Villa ·Ã§ Stradivari 1709 Greffuhle Model AD. 2014
ÂÕèËéÍ: Marcello Villa
ÃËÑÊ: VN5027
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äÇâÍÅÔ¹ Marcello Villa ·Ã§ Stradivari 1709 Greffuhle Model AD. 2014
Top: selected Italian Spruce
Back & Side: Bosnian Maple
Fingerboard decorate with Maple and Ebony
Inlaid with Ebony
Modern neck
Marcello Villa was born in Monza in 1965, and lives and works in Cremona. He began studing the violin when he was twelve, later enrolling in th International School of Violin-making in Cremona.
He graduated in 1983 under the guidance of Giorgio Scolari and Stefano Conia, obtaining the highest possible merit in his final year, a scholarship from the Walter Stauffer Foundation.
Apprenticing in the prestigious shop of Stefano Conia, he was able to broaden his experience and soon began to participate in violin making competitions, receiving his first awards.
Eventually, Marcello Villa was awarded the following prizes:
- finalist in the Poznan Competition (1986)
- gold medal at the Bagnacavallo Young Violinmaker's Competition (1986)
- gold medal at the Baveno Competition (1987)
- gold medal for the quartet presented in the Bagnacavallo Violinmaking Exposition (1990)
- silver medal at the 6th Violinmaking Triennal in Cremona (1991)
- two gold medals for violin and cello in the Bagnacavallo Exposition (1992).
Marcello Villa makes violins, violas and cellos, particularly favouring Stradivarian models.
All instruments have a certificate of authenticity with colour photographs and accurate description of the instrument.
His instruments distinguish themselves for many reasons: quality of materials utilised, precision and personality of the workmanship, varnish quality and color, and fine acoustics. Basing his work upon the classical line of violin-making, he builds his instruments applying his personality and taste in every small detail: the f-holes, the varnish, the cutting of the scroll.
For many years he has been dedicated to the reproduction of classical Italian instruments. He has made copies of instruments by Andrea Amati, Nicola Amati, Andrea Guarneri, Francesco Ruggeri, Guarneri del Ges?, Antonio Stradivari, all of which have been particularly appreciated in the U.S.A., Germany and Japan.
Baroque-specialised musicians have shown great interest in his period instruments: viola d'amore, viola da gamba, pochette, lira da braccio, baroque violin, baroque viola, baroque cello.
His main interest, however, which began to emerge during the first formative years of his career, is the reproduction of Stradivarian inlaid instruments, which he believes to be the quintessence of artistic and technical perfection.
From 1983, the year in which he built his first inlaid violin, preserved in the museum of the International School of Violin-making in Cremona, and until the present day, he has made copies of the Hellier, Ole Bull, Sunrise, Cipriani Potter, Rode, Greffhule violins and of the Spanish and Axelrod violas. His own personal violin is an accurate copy of the 1709 Greffhule inlaid Stradivari which he regularly plays in duo with his brother Vittorio or with various Cremonese musical ensembles.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marco Imer Piccinotti 2013 ·Ã§ Stradivari Birdeye Maple
ÂÕèËéÍ: Marco Imer Piccinotti
ÃËÑÊ: VN5021
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Marco Imer Piccinotti 2013 ·Ã§ Stradivari Top: Italian Spruce
Back & side: Birdeye Maple
Ebony finger board and fitting
born in San Polo d'Enza (RE), Italy on 25/04/1962
Awards:
1989 (Baveno - Italy) violin: award for the best sound.
1993 (Baveno - Italy) violin: CCIAA award
1995 (Baveno ?- Italy) cello: bronze medal.
1995 (Bagnacavallo - Italy) violin: bronze medal.
1995 (Poznan - Poland) violin: award for the best style and character of the work.
2003 (Modena - Italy): diploma and medal of excellence for the instruments made.
Associations:
Founder member and current chairman of the "Liuteria Parmense".
Founder member of "Liutai Milanesi Contemporanei" .
Member of the V.S.A. (Violin Society of America).
Teaching:
1997/1998 – restoration andof stringed instruments at the “Scuola di artigianato Artisti?co del Centopievese".
1998/2001 – stringed instrument varnishing at the "Scuola Internazionale di Liuteria” in Parma.
1998/to date - stringed instrument painting at the "Civica Scuola di Liuteria" in Milan.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2011 ·Ã§ Guarneri Da Mantova
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5201
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Guarneri Da Mantova " CAMELLI" â´Â Paolo Vettori Firenze 2011
Top is Italian Sprece From Valdi Fiemme, Valley in North of Italy. One Piece back from Bosnian Maple very fine ,Slap cut with very strong deep large flamm.
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹ Paolo Vettori 2012 ·Ã§ Niccolo Gagliano Napoli 1755
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VN5202
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äÇâÍÅÔ¹ÍÔµÒàÅÕ¹·Ã§ Niccolo Gagliano Napoli 1755 â´Â Paolo Vettori Firenze, 2012
Top: Old Italian Spruce
Back & Side: Old Italian Maple
Formula Stefanini Varnish
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÓËÃѺÅÙ¡¤éÒ·Õè«×éÍà¤Ã×èͧ´¹µÃաѺ·Ò§ºÃÒâÇÁÔÇÊÔ¤ ¨Ðä´éÃѺ¡ÒÃà»ç¹ÊÁÒªÔ¡â´Â¡ÒÃÃѺÊèǹŴ¾ÔàÈÉ㹡Òë×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ áÅФèÒáç㹡ÒëèÍÁËÃ×Í»ÃѺáµè§¿ÃÕ - 10% |
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